Volume 06, Chapter 04 | February 2019

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Image by Norbu Gyachung

Greetings dear readers and writers,

As you know, we at Visual Verse span many continents, come from many countries and reach out to you wherever you are. We are citizens of the world, and our site reflects that. While others build walls and diminish democracies, we will continue to use our platform as an antidote to boundaries of language, hierarchies of power and divisive and constructed categories of identity. We will celebrate all of you, however you choose to define yourselves. And most especially, we will support and promote your creativity, resilience and the courage it takes to use words and put new work into the world.

That, dear friends, is why we have chosen this month’s image and these inspiring writers. Our visual prompt for February was captured by photographer Norbu Gyachung. We won’t say more, the story is up to you, but we will tell you that Norbu started his life as a refugee in Tibet and is currently based in France.
We encourage you to explore his portfolio (https://unsplash.com/@norbuw) , much of which depicts the strength and passion of Paris and its people, embodied in many different ways.

Our lead, Daniel Trilling (https://twitter.com/trillingual?lang=en) , is a journalist who lives in London. He spent several years reporting on the experiences of people who come to Europe in search of asylum, and is the author of Lights in the Distance: Exile and Refuge at the Borders of Europe (Picador, 2018). He also writes occasional, more abstract pieces which you can read at tinyletter.com/trillingual.

On page two, we bring you Ariel Francisco (https://arielfrancisco.com/) , author of A Sinking Ship is Still a Ship (Burrow Press, 2020) and All My Heroes Are Broke (C&R Press, 2017). A poet and translator born in the Bronx to Dominican and Guatemalan parents and raised in Miami, his work has appeared or is forthcoming in The Academy of American Poets, The American Poetry Review, The New Yorker and elsewhere. He lives in Brooklyn.

Our third lead piece ‘Ortolan’ is by Tom Bolton (https://tombolton.co.uk) , a writer, researcher and photographer who lives in Streatham. He is the author of four books: London’s Lost Rivers: A Walker’s Guide (https://tombolton.co.uk/londons-lost-rivers-a-walkers-guide/) (Strange Attractor, 2011), Vanished City: London’s Lost Neighbourhoods (https://tombolton.co.uk/vanished-city-2/) (Strange Attractor, 2013), Camden Town: Dreams of Another London (https://www.bl.uk/shop/camden-town/p-1151) (British Library Publications, 2017) and Low Country: Brexit on the Essex Coast (http://www.pennedinthemargins.co.uk/index.php/2018/10/low-country-brexit-on-the-essex-coast/) (Penned in the Margins, 2018). He works in urban design and policy, and has a PhD from the Bartlett School of Architecture, UCL, on London’s railway terminals. He leads walks and gives talks, and has written for publications including Caught By The River, The Wellcome Collection website, the Daily Telegraph and the Guardian. He also
writes on theatre and music for his own website and for The Quietus (https://thequietus.com/) .

And sending you off into your own words is Naomi Paxton (http://www.naomipaxton.co.uk/) . Naomi has a portfolio career as a researcher, writer, public engager, curator, performer, magician and award-winning comedian. She trained as a performer at Goldsmiths College, University of London, and the Royal Scottish Academy of Music and Drama (now Royal Conservatoire of Scotland). Her publications include The Methuen Drama Book of Suffrage Plays (Bloomsbury, 2013), Stage Rights! The Actresses’ Franchise League, Activism and Politics 1908-1958 (Manchester University Press, 2018) and The Methuen Drama Book of Suffrage Plays: Taking the Stage (Bloomsbury, 2018).

Don’t forget the VV rules: we ask for 50–500 words written in the space of an hour. Our deadline is 15 February, and we will publish up to 100 of the best submissions over the course of the month. We only publish one piece per writer. Please don’t submit the same piece multiple times. If you’re concerned that your submission hasn’t reached us, drop us a line at visualverse@thecurvedhouse.com (mailto:visualverse@thecurvedhouse.com?subject=Submission%20query) and we’ll get back to you asap. We don’t send you a heads-up if we do/don’t feature you – but we might tweet! So do follow us (https://twitter.com/@visual_verse) – watch out for your tweet and keep supporting each other. You can read the Submission Guidelines in full here (https://visualverse.org/about-visual-verse/) .

Now – sharpen your pencils dear writers. The image is the starting point, the text is up to you…

Preti, Kristen, Lucie, Rithika and Luke

@teabolton (https://twitter.com/teabolton?lang=en)
@NaomiPaxton (https://twitter.com/NaomiPaxton?lang=en)
@trillingual (https://twitter.com/trillingual?lang=en)
@visual_verse (https://twitter.com/visual_verse)

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Volume 04, Chapter 08 | June 2017

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Image courtesy of the Bodleian Libraries

Dear writers, readers and friends,

This month we seen US Comedian Kathy Griffin fired from jobs and berated across the news and social media for an image of her with a beheaded Donald Trump. It was meant to be funny and perhaps if it were less bloody she could have got away with it. But it was particularly gruesome. Kathy’s saga is an example of how no two people ever perceive a single image in the same way. Kathy’s frame of perception, her life experiences, mean she sees it as funny. For others it is a symbol of hate, inciting a murder. For those who dislike blood and guts it’s just a bit gross. While our life experiences inform how we see, we writers can step away from our life experience and see through the eyes of characters and narraters to bring alternate views, perhaps even broadening our own minds in the process. So, who is seeing who in this month’s image? This intriguing Mermaid from the collection of the Bodleian Libraries (http://www.bodleian.ox.ac.uk/) , Oxford University, is something you can
inspect from behind glass or, perhaps, turn the gaze back upon yourself, or us.

Our lead writer for June is a talent whose work we so admire, not just for his writing but also his instinct to bring art into every living moment, inviting participation and observation. Nigerian-born Inua Ellams (http://www.inuaellams.com/) is a cross art form practitioner, a poet, playwright & performer, graphic artist & designer and founder of the Midnight Run (http://www.themnr.com/) — an international, arts-filled, night-time, playful, urban, walking experience. He is a Complete Works poet alumni and a designer at White Space Creative Agency. Across his work, Identity, Displacement & Destiny are reoccurring themes in which he also tries to mix the old with the new: traditional African storytelling with contemporary poetry, pencil with pixel, texture with vector images. His poetry is published by Flipped Eye, Akashic, Nine Arches and several plays by Oberon.

Kathleen Heil (http://kathleenheil.net) graces us on page 2 with a beautifully controlled and moving piece. Kathleen is a writer, dancer, and translator. Her poems, stories, essays and translations most recently appear in The New Yorker, Five Points, FENCE, The Brooklyn Rail, Beloit Poetry Journal, Two Lines, SAND, and other journals. As a dancer, Heil has worked with various artists in the U.S. and Europe and performed her own choreography in New York, New Orleans, San Francisco, Madrid, and elsewhere. A recipient of fellowships from the National Endowment for the Arts and the Sturgis Foundation, among others, she lives in Berlin. For those in Berlin, Kathleen has two workshops coming up – one on Rhythm and Phrasing (https://www.facebook.com/events/166433013891430/) and one on Style and Translation (https://www.facebook.com/events/247453242401643/) .

On page 3 we feature new writing from Erin O’Loughlin, a writer, translator and accidental wanderer. Originally from Australia, she has lived all over the world including Japan, South Africa and Italy. When she’s not busy living all her reincarnations at once (at least, that’s what it feels like some days) she is the associate editor for The Wild Word (http://thewildword.com/) magazine.

We have spent many afternoons reading The (http://thewildword.com/) Wild Word (http://thewildword.com/) where we found Deirdre Mulrooney (https://deirdre-mulrooney.squarespace.com/) , an emerging Irish artist living and working in Berlin. Raised working class in a small nation dominated by Catholicism and men, she now lives as a teacher, a mother and an artist discovering the joy of playing with taboos and visions of female identity that would, until all too recently, have seen her locked away. Her current work is a fantastical and brazenly irreverent take on femininity, sexuality, religion and power. See it in all its glory in her forthcoming exhibition, Bloody Milk River at Gallerie Baeren (https://deirdre-mulrooney.squarespace.com/new-cover-page/) in Neukölln, Berlin, from June 23rd.

Well? Who’s seeing who this month? The image is the starting point, the text is up to you.

Enjoy,
Kristen and Preti

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