Volume 06, Chapter 04 | February 2019

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Image by Norbu Gyachung

Greetings dear readers and writers,

As you know, we at Visual Verse span many continents, come from many countries and reach out to you wherever you are. We are citizens of the world, and our site reflects that. While others build walls and diminish democracies, we will continue to use our platform as an antidote to boundaries of language, hierarchies of power and divisive and constructed categories of identity. We will celebrate all of you, however you choose to define yourselves. And most especially, we will support and promote your creativity, resilience and the courage it takes to use words and put new work into the world.

That, dear friends, is why we have chosen this month’s image and these inspiring writers. Our visual prompt for February was captured by photographer Norbu Gyachung. We won’t say more, the story is up to you, but we will tell you that Norbu started his life as a refugee in Tibet and is currently based in France.
We encourage you to explore his portfolio (https://unsplash.com/@norbuw) , much of which depicts the strength and passion of Paris and its people, embodied in many different ways.

Our lead, Daniel Trilling (https://twitter.com/trillingual?lang=en) , is a journalist who lives in London. He spent several years reporting on the experiences of people who come to Europe in search of asylum, and is the author of Lights in the Distance: Exile and Refuge at the Borders of Europe (Picador, 2018). He also writes occasional, more abstract pieces which you can read at tinyletter.com/trillingual.

On page two, we bring you Ariel Francisco (https://arielfrancisco.com/) , author of A Sinking Ship is Still a Ship (Burrow Press, 2020) and All My Heroes Are Broke (C&R Press, 2017). A poet and translator born in the Bronx to Dominican and Guatemalan parents and raised in Miami, his work has appeared or is forthcoming in The Academy of American Poets, The American Poetry Review, The New Yorker and elsewhere. He lives in Brooklyn.

Our third lead piece ‘Ortolan’ is by Tom Bolton (https://tombolton.co.uk) , a writer, researcher and photographer who lives in Streatham. He is the author of four books: London’s Lost Rivers: A Walker’s Guide (https://tombolton.co.uk/londons-lost-rivers-a-walkers-guide/) (Strange Attractor, 2011), Vanished City: London’s Lost Neighbourhoods (https://tombolton.co.uk/vanished-city-2/) (Strange Attractor, 2013), Camden Town: Dreams of Another London (https://www.bl.uk/shop/camden-town/p-1151) (British Library Publications, 2017) and Low Country: Brexit on the Essex Coast (http://www.pennedinthemargins.co.uk/index.php/2018/10/low-country-brexit-on-the-essex-coast/) (Penned in the Margins, 2018). He works in urban design and policy, and has a PhD from the Bartlett School of Architecture, UCL, on London’s railway terminals. He leads walks and gives talks, and has written for publications including Caught By The River, The Wellcome Collection website, the Daily Telegraph and the Guardian. He also
writes on theatre and music for his own website and for The Quietus (https://thequietus.com/) .

And sending you off into your own words is Naomi Paxton (http://www.naomipaxton.co.uk/) . Naomi has a portfolio career as a researcher, writer, public engager, curator, performer, magician and award-winning comedian. She trained as a performer at Goldsmiths College, University of London, and the Royal Scottish Academy of Music and Drama (now Royal Conservatoire of Scotland). Her publications include The Methuen Drama Book of Suffrage Plays (Bloomsbury, 2013), Stage Rights! The Actresses’ Franchise League, Activism and Politics 1908-1958 (Manchester University Press, 2018) and The Methuen Drama Book of Suffrage Plays: Taking the Stage (Bloomsbury, 2018).

Don’t forget the VV rules: we ask for 50–500 words written in the space of an hour. Our deadline is 15 February, and we will publish up to 100 of the best submissions over the course of the month. We only publish one piece per writer. Please don’t submit the same piece multiple times. If you’re concerned that your submission hasn’t reached us, drop us a line at visualverse@thecurvedhouse.com (mailto:visualverse@thecurvedhouse.com?subject=Submission%20query) and we’ll get back to you asap. We don’t send you a heads-up if we do/don’t feature you – but we might tweet! So do follow us (https://twitter.com/@visual_verse) – watch out for your tweet and keep supporting each other. You can read the Submission Guidelines in full here (https://visualverse.org/about-visual-verse/) .

Now – sharpen your pencils dear writers. The image is the starting point, the text is up to you…

Preti, Kristen, Lucie, Rithika and Luke

@teabolton (https://twitter.com/teabolton?lang=en)
@NaomiPaxton (https://twitter.com/NaomiPaxton?lang=en)
@trillingual (https://twitter.com/trillingual?lang=en)
@visual_verse (https://twitter.com/visual_verse)

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Volume 04, Chapter 03 | January 2017

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Image by Manon Bellet

Dear writers, readers and friends,

Welcome to 2017. This past year has been another wonderful one for Visual Verse. Thanks to you, our writers, we’ve grown in submissions and followers and the inbox is bursting every week. It is such a pleasure to see you continue to return each month and deliver new words. And it is such a pleasure to have a platform from which we can shine a spotlight on fantastic writers, published and unpublished. In 2016 we’ve been proud to feature a Goldsmith’s Prize winner, a Booker longlistee, debut writers and those who have collections forthcoming next year. Some of you have taken work inspired by Visual Verse to the next level – it’s found its way into poetry collections and into live performances as well as onto your own websites. We are thrilled by all of this and can’t wait to see what next year will bring.

One thing you may not realise, too, is how much your writing inspires the artists we feature here on Visual Verse. It is a unique experience for them to see how so many people, with wildly diverse perspectives and styles, respond to their work. This dialogue between artist and writer is the seed from which Visual Verse was grown and it is one of the things that makes us most proud.

So without further ado, we are delighted to bestow upon you our first visual prompt for 2017. This magnificent image comes from Manon Bellet (http://www.manonbellet.com/) , a French artist currently based in New Orleans, US. Bellet’s work looks at the intersections of nature conservation and art preservation, an unconventional pairing, and tries to challenge our perceptions of our environment. This image is from her series Sous Surface and is one of those images that presents something different each time you view it. What will you make of this one?

Our lead writers for January 2017 are a celebration of our connections beyond the geographical. We begin with the elegiac, romantic Emmanuelle Pagano translated from the French by Jennifer Higgins and Sophie Lewis. Pagano’s fragmentary musings on love and desire, Trysting (http://www.andotherstories.org/author/emmanuelle-pagano/) was published in 2016 by & Other Stories. She lives and works on the Ardèche plateau. She has written more than a dozen works of fiction, has won the EU Prize for Literature and her books have been translated into more than a dozen languages. She regularly collaborates with artists working in other disciplines such as dance, cinema, photography, illustration, fine art and music. A perfect start to our year. Translator Sophie Lewis (https://twitter.com/sophietimes) is a freelance editor and translator from French and Portuguese. Among the writers she has translated into English are Stendhal, Jules Verne, Violette Leduc, Emmanuelle Pagano, Marcel
Aymé, Andrée Maalouf, João Gilberto Noll, Pierre Gripari and Emilie de Turckheim. Jennifer Higgins (https://twitter.com/JennyTranslates) is an editor and translator from French and Italian. She has translated several works of fiction, including Emmanuelle Pagano’s Trysting, and has written a book about English translations of French poetry.

Our second lead is poet Rachel Plummer (http://www.rachelplummer.co.uk) who lives in Edinburgh with her partner and two young children. She has had poems in magazines including Mslexia, The Stinging Fly and Agenda. She is a recipient of the Scottish Book Trust New Writers Award for poetry. She has had poems placed in numerous competitions, including the Flambard Prize, Penfro, and the Troubadour Prize.

For our third lead we bring you the robust writings of Agri Ismaïl, who is based in Sweden and Iraq. His work has appeared in The White Review, Guernica, Litro and 3:AM Magazine amongst other places, traversing and transcending all kinds of borders.

And last but not least, our up and coming spot goes to Cage Williams, a poet, writer and musician based in London. He studied literature at Goldsmiths College and he writes on subjects ranging from jazz and the New York School poets to Shakespeare. Find more writing by Cage Williams here (http://literateur.com/four-poems-by-cage-williams/) .

So we go on… boats against the current… pulling into the future. Let us create another year’s worth of beautiful art and words. The image is the starting point, the text is up to you.

Preti and Kristen

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