Autumn Writing Challenge 2022 Winners

Autumn Writing Prize:
Announcing the Winners and Shortlist

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Dear writers, readers and friends,

Some of you have already seen the news over on Twitter – the winners of our Autumn Writing Prize have been announced and we are so thrilled with the four winning pieces. Congratulations to our winners:

Excavating by Ankh Spice (https://twitter.com/seagoatscreams)
Ouch by Mims Sully (https://twitter.com/MimsSully)
Kinfolk by Robin Houghton (https://twitter.com/robinhoughton)
Exotic does not mean beautiful? by Osahon Oka (https://twitter.com/osahonoka)

We are also delighted to reveal the complete shortlist giving you another 16 pieces to enjoy over the weekend. These pieces were chosen, through an anonymised judging process, from a total of 141 submissions. Congratulations (in no particular order) to:

Toy Totem by Kelly Bennett (https://www.instagram.com/kellybennettbooks/)
Before the Beginning by Preeth Ganapathy
The witch considers her three transformed memories by Sarah-Jane Crowson (https://twitter.com/Sarahjfc)
Claw Hog by Hamish Gray @HamishM_Gray (https://twitter.com/HamishM_Gray)
Indeterminate in Autumn by Patricia Furstenberg (https://twitter.com/PatFurstenberg)
Early Morning by Carlos Ochoa @MrCarlos8a (https://twitter.com/MrCarlos8a)
Yet, to by Larry Winger @allendalediary (https://twitter.com/allendalediary)
Ruthless by Joanna Busza
Of Distances by Marie Isabel Matthews-Schlinzig (https://twitter.com/whatisaletter)
The Other Side of Us by Andrew Lasher
Transit by Thomas Petty (https://twitter.com/tomspetty8)
Kitchen Observation by Cindy Faughnan (https://twitter.com/faughnanc)
Cups of Other References by J Daniel West (https://twitter.com/archaeologyBoy)
An Abundance of Caution by Valerie Bence (https://twitter.com/BenceValerie)
A Love Story in Pantoum by Allison Renner (https://twitter.com/AllisonRWrites)
Anonymity by Jacinta Barton

Read them all at visualverse.org (https://visualverse.org/) .
This prize wouldn’t have been possible without the expertise, knowledge and patience of our fantastic judging team. We extend our gratitude to the brilliant Isabel Brooks, Jay Délise, Victoria Gosling and head judge and co-founder, Preti Taneja.

Thank you all and stay tuned for our November edition in which we celebrate our ninth birthday!

From Kristen
and the VV Team

Autumn Writing Prize 2022

Image by Etta/Girl With Red Hat

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Dear writers, readers and friends,

We are thrilled to launch our second ever Autumn Writing Prize, giving us a chance to unearth talent we might not otherwise spot. This is also an opportunity for you to flex your writing ambitions with our fast-paced writing challenge.

How to Enter
Visit the Visual Verse website (https://visualverse.org/submit/) and submit a piece of writing in response to the image prompt above. This prompt comes from Mexico-based artist ETTA, also known as Girl With Red Hat, and we are very excited to see what you find within it. Your submission must be strictly between 50-500 words, be new writing and be written specifically in response to this image. Please also ensure you read our submission guidelines (https://visualverse.org/submission-guidelines/) to see what we won’t publish.

Deadline
Submissions are open for a maximum of 24 hours. We will close submissions at midday UK time on Sunday 2nd October or when we reach 150 submissions, whichever comes first.

The Prizes
Our judges will select four winners who will be published as our featured writers for October. Each winner will receive £50 in prize money. Winner will be announced and published on Thursday 6th October.

The Judges
We are thrilled to have our inimitable co-founder, Professor Preti Taneja (https://www.ncl.ac.uk/elll/people/profile/pretitaneja.html) , back as our head judge. Preti is supported by: deputy editor Isabel Brookes; Victoria Gosling (https://www.thereaderberlin.com/victoria-gosling/) , author of the brilliant novel Before the Ruins; the hugely talented US-based writer, storyteller, and performer Jay Délise (https://www.jaydelise.com/bio) ; and Visual Verse publisher and co-founder Kristen Harrison.

Eligibility
The prize is open to any writer, anywhere in the world except those who have been a lead/featured writer for us in the past. If you have been published by Visual Verse but not as a featured writer you are eligible for the prize – please do enter!

Got questions? Please Tweet us @visual_verse with any questions or email visualverse@thecurvedhouse.com. We will endeavour to reply quickly but please remember we are on multiple timezones so there may be a delay.
Good luck, writers!

Volume 08, Chapter 12 | October 2021

Image by Nickhil Jain

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Dear writers, readers and friends,

We are delighted to announce the winners of our first ever Autumn Writing Prize. These four pieces have been selected from an astounding 279 entries:

WINNERS

T18.0XXA – Breathing Obstruction by K Roberts
Head judge, Preti Taneja, says: “It is very hard to use this device of forward slashes without them distracting from the feeling of the piece, instead becoming part of its focus, language and its drama. But the piece’s marriage of content and form, and its response to the image, its play with time, trauma and with ways of representing emotion is moving and accomplished and in the true spirit of Visual Verse.”

Liebe Radioaktive Damen und Herren by Clio Velentza
Preti says: “The everyday made extremely vivid, gothic and strange, yet populated with everyday fears of being made responsible, feeling ridiculous, being invisible and hypervisible – and being special but also normal. This writer understands loneliness and desire for connection that cities can offer. I loved the sudden turning point and yet the central protagonist continues her refrain. Ambitious and achieved.”

Movement by Mitra Visveswaran
Preti says: “I chose this for its imagery and its onomatopoeia – an art difficult to master – and its handle on the circularity of things gives it a self-reflexivity. Another piece about falling through wormholes, but very distinct from the other one.”

Stunted by Benedict Welch
Preti says: “I liked this one for its sense of a person coming to terms with their own strangeness, their own story – refusing to give up childhood habits but adapting them to a new self. I thought the nesting of characters and mother-child relationship well achieved; the child locked inside the poem while the reader is strung along in the narrative.”

SHORTLIST

Congratulations also to the shortlisted writers (in no particular order) whose work greatly impressed the judges:

Pandora by Corinne Lawrence
Why I Kept Losing My Keys by Hannah Whiteoak
A Mechanism Far Too Finely-Wrought by Ankh Spice
The Day of the Hanging Key by K. J. Watson
The Key to it All by Marilyn A. Timms
The Art of Looking by Emma Hynes
Putting the Tin Lid In It by R. J. Kinnarney
Anamorphosis by Ella Skilbeck-Porter
Fob by Sarah-Jane Crowson
Family Recipe by Jude Higgins
Little Lena by Sallie Anderson
Separate Floors by Ceinwen E. C. Haydon

Special mention to Marion Clarke for the very punny Fishy Tale–A Haibun, which gave us a belly laugh.

The judging process was anonymised and our committee applied the same principles that guide our selections on Visual Verse each month. That is, unearthing pieces that hit these three characteristics (what our editors call “the Golden V”):

1. Accomplished, high-quality writing
2. Masterfully evokes the image
3. Innovative and/or brave

Our four winners and our shortlist hit the Golden V, but so did many of the other submissions. In fact, we started to compile a “Special Mentions” list but it became far too long. There were so many wonderful moments and beautiful interpretations among the submissions. So, this is to say, congratulations to every writer who submitted to this competition. We hope that you surprised and impressed yourself, just as you did us, and that you will continue to write in extra-ordinary ways.

The October issue is now open for submissions. A selection of entries from the competition will be published throughout October so please do not re-submit. For those who did not enter the competition, you know what to do: the image is the starting point, the text is up to you.

With thanks and congratulations from the VV Editorial team and judging committee:
Preti Taneja (Head Judge) with Kristen Harrison, Isabel Brooks, Lucie Stevens, Tam Eastley and Nahda Tahsin.

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