Volume 08, Chapter 12 | October 2021

Image by Nickhil Jain

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Dear writers, readers and friends,

We are delighted to announce the winners of our first ever Autumn Writing Prize. These four pieces have been selected from an astounding 279 entries:

WINNERS

T18.0XXA – Breathing Obstruction by K Roberts
Head judge, Preti Taneja, says: “It is very hard to use this device of forward slashes without them distracting from the feeling of the piece, instead becoming part of its focus, language and its drama. But the piece’s marriage of content and form, and its response to the image, its play with time, trauma and with ways of representing emotion is moving and accomplished and in the true spirit of Visual Verse.”

Liebe Radioaktive Damen und Herren by Clio Velentza
Preti says: “The everyday made extremely vivid, gothic and strange, yet populated with everyday fears of being made responsible, feeling ridiculous, being invisible and hypervisible – and being special but also normal. This writer understands loneliness and desire for connection that cities can offer. I loved the sudden turning point and yet the central protagonist continues her refrain. Ambitious and achieved.”

Movement by Mitra Visveswaran
Preti says: “I chose this for its imagery and its onomatopoeia – an art difficult to master – and its handle on the circularity of things gives it a self-reflexivity. Another piece about falling through wormholes, but very distinct from the other one.”

Stunted by Benedict Welch
Preti says: “I liked this one for its sense of a person coming to terms with their own strangeness, their own story – refusing to give up childhood habits but adapting them to a new self. I thought the nesting of characters and mother-child relationship well achieved; the child locked inside the poem while the reader is strung along in the narrative.”

SHORTLIST

Congratulations also to the shortlisted writers (in no particular order) whose work greatly impressed the judges:

Pandora by Corinne Lawrence
Why I Kept Losing My Keys by Hannah Whiteoak
A Mechanism Far Too Finely-Wrought by Ankh Spice
The Day of the Hanging Key by K. J. Watson
The Key to it All by Marilyn A. Timms
The Art of Looking by Emma Hynes
Putting the Tin Lid In It by R. J. Kinnarney
Anamorphosis by Ella Skilbeck-Porter
Fob by Sarah-Jane Crowson
Family Recipe by Jude Higgins
Little Lena by Sallie Anderson
Separate Floors by Ceinwen E. C. Haydon

Special mention to Marion Clarke for the very punny Fishy Tale–A Haibun, which gave us a belly laugh.

The judging process was anonymised and our committee applied the same principles that guide our selections on Visual Verse each month. That is, unearthing pieces that hit these three characteristics (what our editors call “the Golden V”):

1. Accomplished, high-quality writing
2. Masterfully evokes the image
3. Innovative and/or brave

Our four winners and our shortlist hit the Golden V, but so did many of the other submissions. In fact, we started to compile a “Special Mentions” list but it became far too long. There were so many wonderful moments and beautiful interpretations among the submissions. So, this is to say, congratulations to every writer who submitted to this competition. We hope that you surprised and impressed yourself, just as you did us, and that you will continue to write in extra-ordinary ways.

The October issue is now open for submissions. A selection of entries from the competition will be published throughout October so please do not re-submit. For those who did not enter the competition, you know what to do: the image is the starting point, the text is up to you.

With thanks and congratulations from the VV Editorial team and judging committee:
Preti Taneja (Head Judge) with Kristen Harrison, Isabel Brooks, Lucie Stevens, Tam Eastley and Nahda Tahsin.

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Autumn Writing Prize 2021

Visual Verse Autumn Writing Prize

OPEN FOR SUBMISSIONS

Image by Nickhil Jain

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Dear writers,

The Visual Verse Autumn Writing Prize is now open for submissions.

This is your writing prompt courtesy of photographer and developer, Nick Jain. Your task is to write 50-500 words and submit here (https://visualverse.org/submit/) by 10am Uk time (GMT) today, 30th September.

Please ensure you start the submission process at least 10 minutes early as the site will close promptly at 10am. We cannot accept submissions by email. Please also read the submission guidelines (https://visualverse.org/submission-guidelines/) to ensure your piece complies. The word count is strict.

Please proofread your work before submitting.

If you are a disabled writer and need additional support to submit your work, please let us know. Email visualverse@thecurvedhouse.com asap to let us know how we can support you.

You can write in any style or form and we encourage you to be brave and innovative.

We will announce the winners at 9am GMT tomorrow. All winners will receive a £50 prize and a one-to-one mentoring session with our publisher, Kristen Harrison.

The prize is judged by Dr Preti Taneja, publisher Kristen Harrison and deputy editor Isabel Brookes, with assistance from Tam Eastley, Nahda Tahsin and Jordan Fleming.

Good luck!
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Volume 08, Chapter 11 | September 2021

Image by Vika Wendish

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Dear writers, readers and friends,

Another issue of Visual Verse is upon us. It has been a cruel and trying month for many around the globe. Our hearts go out especially to the people of Afghanistan who have endured unimaginable anguish. I often think about how those in such circumstances process their trauma and a recent conversation with a group of artist friends reminded me that a person’s own creativity – however it manifests – can be such a powerful part of that process. The act of writing, drawing or making brings us back to ourselves and in that moment we are safe. It is my hope that Visual Verse provides this space for everyone, everywhere.

Now, I have a feeling that some of you will be cursing me for this image selection. As beautiful as it is, it makes for a challenging writing prompt. That’s why I love it. And that’s why I chose it. This prompt, by artist Victoria (Vika) Wendish (https://www.instagram.com/vikawendish/) is designed to cause friction and make you work. How you all respond to this image cannot be predicted and thus we are on tenterhooks as we await your words.

Our featured writers this month have exceeded our expectations in terms of showing us the possibilities with this image. First up, we learn the art of balancing with Farhana Shaikh (https://twitter.com/farhanashaikh) , a writer and publisher born in Leicester. Farhana is the editor of The Asian Writer (https://theasianwriter.co.uk/) and she manages small independent press, Dahlia Books (http://www.dahliapublishing.co.uk/) , who we hope to collaborate with in the future. Be sure to follow her on Twitter (https://twitter.com/farhanashaikh) where she talks about all things books and publishing.

On page two, we’re excited to highlight the work of Michelle Davey (https://twitter.com/cockneybloggirl) , a poet, radio presenter and primary school teacher from East London. Michelle is a mother of three children and an advocate for autism awareness. She co-hosts the podcast Let’s Talk Autism (https://www.letstalkautism.co.uk/) as well as blogging about life as The Cockney in the Countryside (https://cockneyinthecountryside.com/) . Michelle has graced us with many wonderful pieces over the years and we love her original take on this month’s image.

And on page three we present a beautiful, fading poem by Wes Viola (https://linktr.ee/wesviola) , another regular contributor to Visual Verse whose writing has impressed us. Wes Viola is the pen name of Wes White, who was the Bard of Glastonbury (http://ynyswitrin.org.uk/) in 2015/16. His recent projects include the Way to Zed (https://www.camberwellarts.org.uk/caf20-fringe/the-way-to-zed-by-wes-white) , a poem cycle and tarot deck inspired by the letters of the alphabet, and Wedding Ritual (http://theweddingritual.blogspot.com/) , a series of artist profiles in which reflection on creative growth, tributes to other creatives and downright filth are all encouraged. If you are a writer or artist featured in Visual Verse and would like to be profiled on Wedding Ritual, you can contact Wes at theweddingritual@gmail.com (mailto:theweddingritual@gmail.com) to express your interest.

So, it’s over to you. As always, we are looking for fresh, innovative, experimental writing between 50-500 words, in response to this image. Challenge yourself. Push your boundaries. Go beyond the literal. Write within an hour to conjure thoughts and ideas you didn’t know were in you. Submission close midnight (UK time) on 15th September.

The image is the starting point, the rest is up to you.
Kristen
with Lucie, Isabel and the VV Team

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Volume 08, Chapter 10 | August 2021

Image by Veronica Lissandrini

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Dear writers, readers and friends,

Rise, write and shine. Your August issue is here and isn’t it a beautiful one? With the help of my co-curator this month, Divya Ghelani, we showcase four women to watch: one artist and three writers, all with abundant talent. I was deeply moved by this month’s writing – actual tears in some cases – and I felt a kind of tectonic shift as I read them. I felt the impact of both excellent writing and work that speaks to the moment we are in. That combination is the dragon we chase at Visual Verse. I hope you enjoy them as much as I did.

Our writing prompt comes from Italian artist Veronica Lissandrini (https://veronicalissandrin.wixsite.com/portfolio) , whose work spans visual art and writing. She has a fierce manifesto on her website that centres many of the values we share: freedom, creativity, disruption, truth, community, joy and dream. Follow Veronica on Instagram (https://www.instagram.com/iamverolix/) to see more of her fabulous work.

And now, our magnificent lead writers: On page 1, we welcome Amy Stewart who makes her Visual Verse debut with a brilliant piece, Luna. Amy is a writer living in York and she recently won the Word Factory Northern Apprentice Award (https://thewordfactory.tv/word-factory-apprentice-award-announcement-2021-22/) . She is currently researching a PhD at the University of Sheffield about female circus artists and the carnivalesque. Her short stories have been shortlisted for the 2021 Mairtin Crawford Award and the 2019 Bridport Prize. Amy’s work can be found in Test Signal (DeadInk Books/Bloomsbury, 2021), Ellipsis Zine, Bandit Fiction and the York Journal.

On page 2, we are thrilled to feature Avrina Prabala-Joslin (http://www.avrinajos.net) , one of our regular contributors whose talent shines brighter with every submission. Avrina is a South-Indian writer living in Berlin. Her short story She’s a Tank, a Battalion, a Banyan won the Short Fiction/University of Exeter International Short Story Prize 2021. Her works have been shortlisted for the Indiana Review Fiction Prize 2021, Desperate Literature Short Fiction Prize 2021 and the Berlin Writing Prize 2019. She’s currently finishing a novel that follows a few nomads and we are very excited to read it.

Alaya Mays, on page 3, is a student at Western Washington University studying German and Creative Writing. She has been writing and performing her own spoken word poetry since she was 16. Alaya tells us she has a special love for calculus, sushi, and playing cards at brunch. Her first piece on Visual Verse was published when she was still in school and we are enamoured by her work: the style and maturity she already displays is something special. Watch this space.

My deepest gratitude to Divya Ghelani (https://www.divyaghelani.com/) who co-curated this month’s writers. Divya is a British-Indian writer living in Berlin. She holds and MA in Creative Writing from UAE and in 2016 she won an Apprenticeship at The Word Factory (http://www.thewordfactory.tv/site/divya-ghelani/) . (http://www.thewordfactory.tv/site/apprentice-scheme/the-workers/) That’s where we were introduced to Divya’s work and she was later featured in Volume 5, Chapter 3 (https://visualverse.org/submissions/the-peacock/) . Divya has also been published in the BareLit Anthology, Litro: India, Too Asian, Not Asian Enough, Radio 4 and many more. As it turns out, she can not only write herself, but also spot exciting talent in others. Thank you, Divya.

So, know what to do. Deliver us your dragons. We are looking for fresh, innovative, experimental writing between 50-500 words, in response to this image. Challenge yourself. Push your boundaries. Go beyond the literal. Write within an hour to conjure thoughts and ideas you didn’t know were in you.

The image is the starting point, the rest is up to you.
Kristen,
with Divya Ghelani and Team VV

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Volume 08, Chapter 09 | July 2021

Image by María Victoria Rodriguez

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Dear writers, readers and friends,

Here in the Northern Hemisphere, we are able to socialise again. The sun is shining and the air is a-buzz with energy. It is particularly enlivening to feel a sense of community once more and to be part of a place. Culture, food and the spirit of people can give us so much. That’s why this month’s image felt just right.

María Victoria Rodriguez (https://victoriarodriguez.com.ar/) , an Argentinian artist and animator living in Berlin, created this artwork for a small artisan food business in Shropshire, UK, called Pueblo. They sell handmade foods from South America and bring a taste for empanadas to their local British community. It’s these small, independent initiatives that bind us and keep the spirit alive.

A small side note before we announce our three lead writers. We have opened up our internships again and are looking for two or three new team members, to help us edit and publish pieces each month. We invite applications from anyone, anywhere, with any level of experience. We welcome entry level applicants and those who are looking for a career change or just some “behind the scenes” publishing experience. You can apply here (https://docs.google.com/forms/d/e/1FAIpQLSfjCuLjjso6W0MU6fQvvv8MpA2YZ91vWotga7tt59EUNjDDcg/viewform) until 9th July.

Now, to our lead writers for the July issue of Visual Verse. These three have been on our radar for some time, as each of them has contributed some excellent writing to our publication.

Our first piece is by Carl Burkitt (https://carltellstales.com/) , who likes to tell tales. He tells long tales, short tales, silly tales and sad tales. He likes to tell them online, behind a mic, in books, in schools or on the sofa with his young family in Manchester. His debut collection What Does A Baby Think It Is? And Other Questions (https://carlburkitt.bigcartel.com/product/what-does-a-baby-think-it-is) was published in 2020 by Enthusiastic Press.

Page two features Megha Sood (https://meghasworldsite.wordpress.com/) , an award-winning poet, editor, author and blogger from New Jersey, USA. She is the recipient of the 2021 Poet Fellowship from MVICW (Martha’s Vineyard Institute of Creating Writing) and a National Level Winner for the 2020 Spring Mahogany Prize. Sood is an Associate Poetry Editor for literary journals Mookychick (UK) and Life and Legends (USA), and is Literary Partner with Life in Quarantine, Stanford University. She has authored a chapbook My Body is Not an Apology (Finishing Line Press, 2021) and a full-length work My Body Lives Like a Threat (FlowerSongPress, 2021).

Our third piece comes from New York City resident Kerfe Roig, who enjoys transforming words and images into something new. Follow her explorations on her blogs methodtwomadness.wordpress.com/ (which she does with her friend Nina) and kblog.blog/. You can read more of her work on her website (http://kerferoig.com/) .

And so, dear writers, the blank page of possibility awaits you. The image is the starting point, the text is up to you.
Kristen
with the VV team, Preti, Lucie and Isabel

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Volume 08, Chapter 08 | June 2021

Image by Tanya Layko

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Dear writers, readers and friends,

Last month was one of the best issues of Visual Verse. The writing you submitted throughout May was brave, innovative and unpredictable. It was a pleasure to watch the issue grow and we especially loved seeing more experimentation. Keep it up! We look forward to seeing what comes from this new prompt, a magnificent image I was drawn to for it’s collage-like quality. It’s by Tanya Layko (Таня Лайко) – check our her Instagram (https://www.instagram.com/tanyalayko/) for more technicolor beauty and kooky portraiture.

For the month of June we are thrilled to introduce you to a new indie publisher based in Greater Manchester, UK, with whom we have created this issue. Master House Publishing (https://masterhousepublishing.com/) is founded by author and spoken word artist, Fehmida Master (https://twitter.com/fehmida_master) , and its mission and vision is to empower, strengthen and amplify as many voices of women, and voices of colour, as possible – voices that are so often under-represented in mainstream publishing. Master House Publishing launched with an online journal which quickly developed into a wonderful community. Following the launch of their debut collection, by our June lead Lisa O’Hare, Master House will be reviewing the submissions that have been received by them over the past few months, with a plan to publish more diverse poetry in the coming months. For now, you can enjoy the words of four writers from the Master House Publishing community, with thanks to Fehmida Master for co-curating this
selection.

First up we feature new writing by Lisa O’Hare (https://www.lisaoharewriter.com) , a regular contributor to Visual Verse and the author of the debut poetry collection, Lockdown Life: A Rollercoaster of Emotions (https://masterhousepublishing.com/shop/ols/products/lockdown-life-a-rollercoaster-of-emotions-paperback-lisa-ohare) , just published by Master House Publishing. Lisa’s poetry has been featured in several anthologies, zines, podcasts and on BBC Radio Manchester. Connect with Lisa on social media @thelisaohare or visit her website (https://lisaoharewriter.com/about-me) .

On page 2 we present the mighty talent of Jay Délise (https://www.jaydelise.com/bio) . Jay is a NYC/UK based writer, storyteller, and performer. Her 2019 solo spoken word show Black, And… premiered at the Greater Manchester Fringe Festival in July of 2019 and was nominated for both “Best Newcomer” and “Best Spoken Word” at the Manchester Fringe Awards. Her self-published audiobook tenderhead. (https://www.jaydelise.com/tenderhead) debuted at #1 in bestselling poetry audiobooks.

On page 3, enjoy the words of Linda Done, a writer who is also from Manchester, UK. Linda is a teacher, wife, mother, sister and friend with one book published: Everything Changes in Your 50s. More of Linda’s writing (https://masterhousepublishing.com/online-journal/f/linda-done) can be found on the Master House Publishing website.

And finally we welcome Zahra Pourmohseni (https://www.instagram.com/zahra.zpm/) , a 22-year-old English teacher from Iran who says she is “in love with literature”. Zahra is keen to let the social changes in Iran, that she hopes will happen, to influence her writing. She has recently started to write poetry in English and she has dedicated her piece to the people who never got a voice.

And so, here we are with your June visual prompt and a whole lot of gratitude to you all for keeping this publication fresh and inventive.

As always, the image is the starting point, the text is up to you.

Kristen
with the VV team, Preti, Lucie, Isabel and Luke.

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Volume 08, Chapter 07 | May 2021

Image by Unknown Artist / Wellcome Trust

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Dear writers,

This month we have a special collaboration with the much-respected imprint, Serpent’s Tail (https://serpentstail.com/) , to celebrate the debut novel (https://uk.bookshop.org/books/before-the-ruins/9781788163798?aid=7452) of Victoria Gosling.

Let me tell you a little anecdote about Victoria Gosling (https://twitter.com/VictoriaReaderB?s=20) . Several years ago, I found myself an hour from Berlin, in a strange little Fort (replete with a moat) with cavernous rooms and an honesty bar. This was The Reader Berlin (https://www.thereaderberlin.com/) ’s Fort Gorgast Writer’s Festival and I was there to represent Visual Verse. I sat in on a workshop that Victoria ran, in which she took participants through a number of writing activities that were very much in the spirit of the surrealists, and in the spirit of Visual Verse. These were activities designed to tap the subconscious and remove mental barriers to one’s own creativity. I expected to be more of an observer than a participant but as Victoria unfurled her intriguing, thoughtful array of writing exercises I found myself deeply engaged. I have kept the work I did that day. And I have never forgotten the feeling of liberation as her prompts evoked words I never knew I had in me.
Victoria has a special kind of magic: she’s a gifted writer and also someone who can share that gift, conjuring other people’s talents with great empathy and sensitivity.

So without further ado, I present your May visual writing prompt, an intriguing artwork thought to be from around 1850, by an unknown artist, and courtesy of Wellcome Collection. It is an honour and pleasure to present Victoria’s response on page one. Her first full-length novel, Before the Ruins (https://uk.bookshop.org/books/before-the-ruins/9781788163798?aid=7452) , will be published on May 6th by Serpent’s Tail. It is a fabulous book, full of mystery, speculation, characters that oscillate between dark and light, a complex but accessible narrative, and a protagonist who keeps us at arms length while anchoring us to her plight. Put it on your summer reading list immediately.

On page two, we are thrilled to feature another new Serpent’s Tail writer, Alice Ash (https://twitter.com/aliceash_?s=20) , whose short story collection Paradise Block (https://uk.bookshop.org/books/paradise-block/9781788165549) was released in February. Alice is the current Writer in Residence at Open Book (https://openbookreading.com/) , a literary organisation working across Scotland; you can read Alice’s stories here (https://openbookreading.com/unbound/#lockdown) . She lives in Brighton with her boyfriend and 2,000 books.

And as you know we often invite regular contributors whose work has caught our eye month-to-month. On page three we are delighted to introduce you to Rachel Belward (https://twitter.com/RBel2?s=20) . Rachel grew up in northern Italy, and she now lives in London. She is a regular contributor to Visual Verse, and her short stories have been published by Dear Damsels. She works for a mental health charity, and is working on a novel about love, music and climate disaster. She loves to read, and her Instagram book reviews are my go-to for reading recommendations. Follow her on Instagram at @rach_is_reading (https://www.instagram.com/rach_is_reading/) .

Now it’s your turn, dear writers. The image is the starting point, the text is up to you.

Enjoy!

Kristen
with the VV team, Preti, Lucie, Isabel and Luke.

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Volume 08, Chapter 06 | April 2021

Image by Cris Martín

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Dear writers, readers and friends,

This month at The Curved House HQ (Visual Verse mothership) we have been busy creating a new series of children’s books. So, in this spirit, we offer something playful to inspire your writing: a children’s book illustration by Spanish artist Cris Martín. We’re thrilled to be publishing Cris’ debut children’s book, coming out in the UK and US in October, so in the meantime you can see more of her work on her website Gato Marino (https://gatomarino.com) .

Before we dive in to our lead writers, a quick update on some improvements we are making to Visual Verse. In the feedback form we circulated earlier this year, many of you requested improvements to the Archive (https://visualverse.org/images/) section of visualverse.org. Your wish is our command… You can now see the Author and Artist names organised within an alphabetical list (still by first name as we can’t change that) and you can search by title. We hope this helps you to discover and share more great writing from the Visual Verse community.

So without further ado…

On page 1 we present the brilliant Tam Eastley, whose piece is a cleverly constructed choose-your-own adventure! Which way will the story unfold for you? Tam is a writer and web developer based in Berlin. She likes writing about reality TV, tech, the post-apocalyptic world, and is currently editing her way through her first novel. She has been published in The Wild Word (https://thewildword.com) and here on Visual Verse (https://visualverse.org/writers/tam-eastley/) , and is the co-creator of ongoing, a prompt journal for music and prose. When she’s not writing, you can find her cross stitching or going for various hikes around Berlin.

On page 2, Visual Verse regular Misky Braendeholm (https://visualverse.org/writers/misky-braendeholm/) brings all the nostalgia of childhood. Misky is a retired British-American poet who has called the UK home for the past 32-years. When not at her desk writing, you’ll find Misky with a pair of secateurs in the garden, or in the kitchen testing recipes as a “home cook”. Her poetry is regularly published with Ten Penny Players (https://www.tenpennyplayers.org) , Waterways: Poetry in the Mainstream (https://tenpennyplayers.org/mags.html) , which is a non-profit publication that supports children with additional needs. Misky never buys clothing without pockets.

And on page 3, John Solloway (https://visualverse.org/writers/john-solloway/) delivers a gem of a piece in a single sentence. John studied graphic design at the London School of Printing and Graphic Arts before pursuing a career in practicing and sometimes teaching graphic design. He has always had a love of words and language. He is a member of a creative writing group in Kingston-upon-Thames, his home town.

So, dear writers, we challenge you to evoke your inner child this month. Let your imagination write for you.

The image is the starting point, the text is up to you.

Kristen, Preti, Lucie, Isabel and Luke

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Volume 08, Chapter 05 | March 2021

Image by Stefan Keller
Guest edited by Zoe Turner, Comma Press

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Dear writers, readers and friends,

For your March inspiration, we offer otherworldly vibes via a fantastical image by Stefan Keller. This scene, with its juxtaposition of worlds, is a nod to our core objective: bring together the worlds of artists and writers to create something spectacular. A wonderful offshoot of this aim is the way our platform also brings us together with like-minded publishers, so we are thrilled to unveil the March issue in collaboration with Comma Press (https://commapress.co.uk/) , an indie publisher whose work we have long admired. Like us, Comma Press celebrates the alchemy of collaboration with collections by new and established authors, interdisciplinary collaborations between authors and experts (e.g. writers + scientists), and translation by voices from across the world, including the first ever collection of science-fiction from Palestine, Palestine +100 (https://commapress.co.uk/books/palestine-100/) . They have twice been shortlisted for the British Book Awards for ‘Small Press of the Year’
(North of England) and in 2016 they founded the Northern Fiction Alliance (http://northernfictionalliance.com/) alongside Peepal Tree Press, Dead Ink Books and And Other Stories. The Alliance is a radical publishing collective showcasing the creativity, diversity and outward-looking agenda that sets publishers in the North of England apart. Since our co-founder Preti moved to the North-East a year ago this March, now seems a good time to celebrate that anniversary with the best of Northern England’s publishing.

We kick off with a brilliant prose piece by Gaia Holmes, a freelance writer and creative writing tutor who works with schools, universities, libraries and other community groups throughout the West Yorkshire region. She runs ‘Igniting The Spark’, a weekly writing workshop at Dean Clough, Halifax, and is the co-host of ‘MUSE-LI’, an online writing group. She has had three full length poetry collections published by Comma Press: Dr James Graham’s Celestial Bed (2006), Lifting The Piano With One Hand (2013), Where The Road Runs Out (2018) and Tales from the Tachograph, a collaborative work with Winston Plowes (Calder Valley Poetry, 2017). She also contributed to Comma’s latest horror anthology, The New Abject (https://commapress.co.uk/books/the-new-abject) , and she is currently turning her attention towards writing short stories.

Sarah Schofield (http://icallitresearch.blogspot.com/) , on page two, also contributed to Comma’s horror anthology, The New Abject (https://commapress.co.uk/books/the-new-abject) , and her stories have been published in Lemistry, Bio-Punk, Thought X, Beta Life, Spindles and Conradology (all Comma Press) Wall: Nine Stories from Edge Hill Writers, (EHUP) Best of British Short Stories 2020 (Salt) Spilling Ink Flash Fiction Anthology, Back and Beyond Arts Publication, Litfest’s The Language of Footprints, Synaesthesia Magazine, Lakeview International Journal, Woman’s Weekly and others. She has been shortlisted on the Bridport and the Guardian Travel Writing Competition and won the Orange New Voices Prize, Writer’s Inc and The Calderdale Fiction Prize. An excerpt from her story ‘The Bactogarden’ featured on BBC Radio 4’s Open Book. Sarah is an Associate Tutor of Creative Writing at Edge Hill University and runs writing courses and workshops in a variety of community settings. Her debut short
story collection is due out in 2021 with Comma Press.

On page three, we welcome Karline Smith (https://www.blacksapphirepress.com/) . Born to Jamaican parents who arrived in Britain in the 1960s, Smith was one of the first black female crime writers to deal with the subject of drug gangs in inner-city Britain. She is the author of three novels, Moss Side Massive, which was dramatised by Liverpool’s Unity Theatre, Full Crew, and Goosebumps and Butterflies are Fairy Tales (published by Black Sapphire Press). She is also the author of several short stories, variously published in The City Life Book of Manchester Short Stories (Penguin), M.O.: Crimes of Practice, and Resist (Comma). She is currently working on her fourth novel.

And on page four we feature Gregory Norminton (http://www.gregorynorminton.co.uk) , whose novels include The Ship of Fools (2002), Arts and Wonders (2004), Ghost Portrait (2005) and Serious Things (2008), all published by Sceptre. Other books include The Lost Art of Losing (2012), Thumbnails (2013) and Beacons – stories for our not so distant future (editor, 2013). His stories have appeared on BBC Radio 4, and in Prospect, Resurgence, London Magazine and The Lonely Crowd. He teaches creative writing and English at Manchester Metropolitan University.

You’ll notice a large learning toward prose this month. In our recent survey a few people mention that there’s a heavy leaning toward poetry on Visual Verse. May these prose/prose-poetry pieces signal to all writers that we accept (and, indeed, welcome) all kinds of writing, not just poetry.

So, what will you write? As always, the image is the starting point, the text is up to you.

Kristen, Preti, Lucie, Isabel and Luke
with huge thanks to our guest editor Zoe Turner and Comma Press

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Volume 08, Chapter 04 | February 2021

Image by Tom or Judy Moore

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Dear writers, readers and friends,

We’ve had an amazing response to the feedback form (https://forms.gle/NaiKLaM37AffoxkH6) , thank you. If you haven’t filled it out, please take a moment to have your say. We will digest and report in good time but it has already been so helpful to see your ideas and understand the needs and wishes of our writing community.

And now, February! Allow us to unveil these tech-savvy little pigs courtesy of Tom or Judy Moore (https://www.instagram.com/ignatzhoch/) , a multifunctional artist and busy little bee based in Berlin. They’ve exhibited at the National Portrait Gallery, ICA London, and Whose Museum. They sing and teach drawing in Berlin, co-curate the Visual Verse Instagram (https://www.instagram.com/visualverseanthology/) and create the comic Everything is Somewhat Repaired, a phenomenal body of work and continual source of inspiration, humour and humanity for us this past year. Read it on Insta (https://www.instagram.com/everythingrepaired/) or, if you subscribe to their Patreon (http://patreon.com/tomorjudy) you can get it and other exclusive content straight to your inbox and you’ll be supporting a talented trans artist.

We are thrilled to launch with a brilliant line-up of LGBTQ+ writers as LGBTQ+ history month gets underway. With these four wonderful lead pieces, and our fabulous image prompt, we honour the historical struggles of LGBTQ+ people. And we also wish to celebrate the full capacity of human love and be reminded to keep our hearts and minds open to those who are most vulnerable in contemporary society.

First up, we welcome Elizabeth Chakrabarty, an interdisciplinary writer exploring themes of race and sexuality. Her debut novel Lessons in Love and Other Crimes will be published by The Indigo Press in April 2021, and is on pre-order here (https://www.theindigopress.com/lessons-in-love) . Her poems have been published here at Visual Verse (https://visualverse.org/writers/elizabeth-chakrabarty/) , and she co-wrote ‘The Fiction of the Essay: of Abstraction, Texts, Communication and Loss’, published in Imagined Spaces (https://uk.bookshop.org/books/imagined-spaces/9780995512344) . Under her full name, Namita Elizabeth Chakrabarty, she has been published in the area of Critical Race Theory (https://www.routledge.com/Critical-Race-Theory-in-England/Chakrabarty-Roberts-Preston/p/book/9780415713078) , her story Eurovision was short-listed for the Asian Writer Short Story Prize, and published in Dividing Lines (http://dahlia-books.kong365.com/en-gb/products/dividing-lines) , and recently her poems
were chosen for the new anthology The Kali Project: Invoking the Goddess Within/Indian Women’s Voices (https://www.bookdepository.com/Kali-Project-Candice-Louisa-Daquin/9781951724061?ref=grid-view&qid=1611168944417&sr=1-1&fbclid=IwAR1EasUA6Y5UOwiZ0767VbKsTEWhHFNsAzKEQZsHRbXLpr-WXpWSyzY1_5M) .

On page 2 we feature Sy Brand, a queer non-binary poet living in Edinburgh, Scotland. They write through the haze of cat-/child-induced sleep deprivation to try and make sense of gender, relationships, and ADHD. Their work has been published in Popshot Quarterly, Capsule Stories, and ZARF Poetry, among others, and you can find some of their ekphrastic writing in the Visual Verse archives (https://visualverse.org/writers/sy-brand/) . You can find them on Twitter @TartanLlama (https://twitter.com/TartanLlama) and their publications at https://sybrand.ink (https://sybrand.ink/) .

Page 3 welcomes Siobhán Carroll to Visual Verse. Siobhán is a writer and performer based in Edinburgh. They live in Leith with 2 cats and a growing number of books. They write poetry, prose and personal essays. You can follow them on Twitter at @siobhanclaude_ (https://twitter.com/siobhanclaude_) or visit their website (https://www.siobhanclaudevandamme.co.uk) .

Eleanor Capaldi (https://emcletters.wordpress.com/) is a writer, director and researcher based in Scotland. Her work has been published by Gutter Magazine, The Interpreter’s House, Mechanics’ Institute Review, the Skinned Knee Collective, and in anthologies, The Edwin Morgan Centenary Collection (Speculative Books), Reel to Rattling Reel (Cranachan Press), and Queering the Map of Glasgow (Knight Errant Press). Short film Glue screened in competition at SQIFF, Roze FilmDagen and QueerVision Film Festival, where it was nominated in the category ‘Best of British’.

You know the drill now writers, it’s over to you. What will you make of our two little pigs? As always, you have until the 15th to write 50-500 words, in one hour. The image is the starting point, the text is up to you.

Kristen, Preti, Lucie, Luke and Isabel.

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Volume 08, Chapter 03 | January 2021

Image by Michael Easterling

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Dear writers, readers and friends,

Happy New Year to you all! This past year has made online communities more important than ever and seeing the Visual Verse writing community strengthen and thrive has been an inspiration. Thank you to all of you for supporting each other by reading, sharing and tweeting. It warms our hearts to see how generous and encouraging you are. Though we can’t be sure what 2021 will hold, we’re honoured that we can provide a space where you can be creative, experiment and express yourself. We’ll be here for you in 2021, no matter what.

We’re beginning this year with a pop of colour courtesy of Michael Easterling. And, a special treat – four wonderful writers from Mirrabooka Writers (https://mirrabookawriters.com/) , a new online writing school founded by VV’s Deputy Editor, Lucie Stevens. Lucie moved back to Australia mid-2020 and she has continued to be an invaluable member of the Visual Verse team while also starting up this new venture. From mid-January, Mirrabooka Writers will offer workshops for novelists, memoirists, children’s and YA writers, poets and beginner writers across all fiction genres. It also has a special creativity workshop to help you become happier and more productive in your writing life. Lucie has kindly offered the VV community a 10% discount on all upcoming courses. Enter the discount code VV121 at the checkout when you enrol. It goes without saying that we cannot recommend this, or Lucie, enough!

Each of our lead writers will be teaching at Mirrabooka Writers in the months ahead and span different genres. On page one, we have a touching story of love and loss by Christine Piper (http://www.christinepiper.com/) . Christine is an Australian writer, editor and teacher. Her debut novel, After Darkness (Allen & Unwin, 2014) won the 2014 The Australian/Vogel’s Literary Award and was shortlisted for the 2015 Miles Franklin Literary Award. It is now being studied by Year 12 students in the state of Victoria. She also won the 2014 Calibre Prize for an Outstanding Essay and the 2014 Guy Morrison Award for literary journalism. Her short stories have been published in several anthologies and journals.

On page two, poet Toby Fitch unpicks some of the anxieties and fears our new year brings. Toby is poetry editor of Overland and a sessional academic in creative writing at the University of Sydney. His most recent book of poems is Where Only the Sky had Hung Before (https://vagabondpress.net/products/toby-fitch-where-only-the-sky-had-hung-before) while his next, Sydney Spleen, is forthcoming with Giramondo in 2021. He lives in Sydney on unceded Gadigal land.

Page three features a tale of reflection by Ashley Kalagian Blunt (http://ashleykalagianblunt.com) , author of the memoir How to Be Australian. Her first book, My Name Is Revenge, was shortlisted for the 2019 Woollahra Digital Literary Awards and the 2018 Carmel Bird Digital Literary Award. Her writing appears in Griffith Review, Sydney Review of Books, the Sydney Morning Herald, and more, and she co-hosts James and Ashley Stay at Home (https://jamesandashley.libsyn.com/) , a podcast about writing, creativity and health.

On page four, Term 2 tutor Emily Paull (http://www.emilypaull.com) explores something many of us have become familiar with in 2020 – inaction. Emily is a former bookseller and a future librarian from Perth, Western Australia. Her stories have appeared in Westerly and several of the Margaret River Press anthologies, and she is the author of the short story collection Well-Behaved Women, published 2019. When she’s not writing short stories and historical fiction, she can often be found with her nose in a book.

And so, dear writers, it’s your turn now. What will you make of the first image in our new year? As always, you have until the 15th to write 50-500 words, in one hour. The image is the starting point, the text is up to you.

Wishing you all a safe and happy new year,

Kristen, Preti, Lucie and Luke.

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Volume 08, Chapter 02 | December 2020

Image by Oscar Ukonu

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Dear writers, readers and friends,

Kristen here, publisher, curator and co-founder of our beloved Visual Verse. This final issue for the year 2020 comes with a personal message from me.

This year, I have made some simple but significant changes to how I curate Visual Verse, including a commitment to featuring more contemporary artists. Prior to 2020, I was complacent in my approach to curation, sourcing images primarily from public domain collections, photo libraries and museum archives. Not only did this limit the diversity of artists represented, but it also meant we missed opportunities to be a true reflection on the world around us. The zeitgeisty atmosphere that you all bring with your writing is what makes Visual Verse a truly unique publication. The images need to match you.

My search for current, contemporary work is how I came to discover Oscar Ukonu (https://www.oscarukonu.com/) , the Nigerian artist behind our visual prompt for December. Oscar creates exquisite afrorealist portraits using only a ballpoint pen. He says “exploring afrorealism in my works is a practice of representing, documenting and celebrating the diversified forms of black individuality. With my work, I look at the role of socio-historical influences on contemporary identities, believing identities as socially constructed and constantly changing.” For me, this is a perfect semblance of my own preoccupation with historical images and Oscar’s embodiment of his own history through deeply mindful artworks. I have chosen to feature him now, on the tail end of the protests in Nigeria (https://www.nytimes.com/2020/11/13/world/africa/Nigeria-EndSARS-protests.html) against police brutality, to draw attention to the talent and tenacity of artists like Oscar, who continue to work despite the
challenges they face.

Oscar describes his creative process as a practice in time and patience, working approximately 200 to 400 hours on a piece. He says: “I aim to provoke thought and engage my audiences intellectually… through visual dialogues that establish a relationship with the viewer, and encourage their participation to the same extent as my involvement in it.”

Oscar spent 200+ hours on this piece and he encourages you to participate to the same extent. You have one hour. What will you do with this time? What do you see in this image? What do you feel? Where will it take you? What will you remember? How will it inspire you? Be brave, obscure, abstract. The selection of this image is, of course, an act of quiet activism in the spirit of Visual Verse, but it is also simply a beautiful, powerful work. Enjoy it as you wish and bring forth your own words.

To inspire you we have three exceptional writers who give us three completely different and wonderful responses to this image. On page one we welcome the brilliant Jasmine Richards (https://jasminerichards.com/) , who has written over a dozen books for children and teenagers, including Keeper of Myths published by Harper Collins US. Jasmine is the founder of Storymix (https://www.storymix.co.uk/) , a fiction development company that creates inclusive series fiction for publishers. All children, regardless of background, get to be the heroes in these stories. Storymix is actively seeking writers from BME backgrounds to work with and Jasmine uses her unique experiences as author, editor and writing coach to develop new voices and new stories. She really does try not to read the review of her books…

On page two we are thrilled to bring you Jennifer Celestin, a Haitian-American writer, performer, and facilitator. Her writings have been included in Akashicbooks.com (http://www.akashicbooks.com/real-love-by-jennifer-celestin/) , No, Dear Magazine, The Hawai’i Review, la Revue Trois/Sant/Soixante, aaduna (https://aaduna.org/summer2019/poetry/jennifer-celestin/) , and Midnight & Indigo (https://www.midnightandindigo.com/author/jennifer-celestin/) . She received a B.A. from Wesleyan University, an M.A. from NYU, and her M.F.A. in Fiction at CUNY: Queens College. Check her out this Friday, December 4th from 4pm-6pm for a virtual event with other Afro-Latinx artists. (https://www.eventbrite.com/e/mind-body-soul-afrofuturist-sacred-sounds-tickets-130421749965)

And on page three we feature one of our regular contributors, Jaya Avendel, a word witch from the Blue Ridge Mountains of Virginia, writing family into fantasy through poetry and prose. Her writing has been published here at Visual Verse and by Free Verse Revolution, and Spillwords Press, among others. She is also published in As The World Burns Anthology from Indie Blu(e) Publishing. Her poetry is also forthcoming at Mookychick. She writes at ninchronicles.com (https://ninchronicles.com/) and tweets as @AvendelJaya (https://twitter.com/AvendelJaya) .

So, dear writers, what will you make of this image? As always, you have until the 15th to write 50-500 words, in one hour. The image is the starting point, the text is up to you.

With love and thanks for another incredible year of writing. You are a remarkable community of creatives.

Kristen

With Preti, Lucie and Luke

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Volume 08, Chapter 01 | November 2020

Image by John Samuel Pughe / Library of Congress

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Dear writers, readers and friends,

Our November issue begins a whole new volume and marks our 7th birthday. Lots to celebrate!

After such a reflective year we are starting to understand just how significant this publication is. Every month for the past seven years, you have written fresh new pieces that reflect exactly what was going on in the world at that very moment. This makes Visual Verse a unique living document of our times. As a literary archive it is as diverse in its styles and themes as it is in its writers. And it is a true collaboration. We have done this together – us and you – and we are so thankful for all of your contributions and support over the years. We are also constantly in awe of the way you support and amplify each other. Our Twitter world is a happy one and that is thanks to you creating a safe and positive space for eachother’s creative output and wellbeing. Thank you, thank you, thank you.

Without further ado, let’s get stuck into the November birthday edition. Alongside a spectacularly hectic image by 19th century cartoonist John Samuel Pughe (courtesy of the Library of Congress) we feature three brilliant writers who have never before been published by Visual Verse.

First up is Stu Hennigan, with a poem that feels pretty darn accurate for 2020. Stu is a writer, poet and musician living and working in the north of England. His work has featured in Lune (https://lunejournal.org/) and is forthcoming in the short story anthology The Middle Of A Sentence (http://thecommonbreath.com/onlineshop.html) , published by The Common Breath (http://thecommonbreath.com/) . He’s currently working on a narrative non-fiction work about the extreme poverty he encountered whilst delivering food parcels during the pandemic.

On page 2 we present US writer Lindsay Parnell (https://twitter.com/LMParnell) , whose debut novel Dogwood is out with Linen Press (https://www.linen-press.com/shop/dogwood/) . Her short fiction has appeared in 3AM Magazine, The Honest Ulsterman, Vol. 1 Brooklyn, Underground Voices and others. Currently she is working on a short story collection titled Birds with Broken Necks. She lives in Atlanta, Georgia. Meryl Streep is her president.

And from her home in Singapore, we welcome Damyanti Biswas, whose short fiction has been published, or is forthcoming, in Ambit, Litro, Puerto Del Sol, Griffith Review Australia and Pembroke Magazine among others. Damyanti serves as one of the editors of the Forge Literary Magazine. Her debut novel You Beneath Your Skin (http://mybook.to/YouBeneathYourSkin) was published by Simon & Schuster India in autumn 2019 and has received rave reviews. You can sign up to herwriting tips gazette (https://us12.campaign-archive.com/?u=2a3ccb7a141fae0477c5dbef4&id=d4e577d951&fbclid=IwAR3DiiAjUqyrX2ddcPo9UF0_hrNul_KLCDwvZHgpS8l2QBTRnJz428DRy5g) and follow her tweets atdamyantig (https://twitter.com/damyantig) .

So, you know the score. Submit your own piece by 15th November for a chance to be published in our birthday issue. Submissions must be original/new work between 50-500 words, written specifically in response to the image and within an hour. Please check our submission guidelines (https://visualverse.org/about-visual-verse/) for more info about the kinds of things we will not publish.

And remember, as we approach the holiday season, if you are gifting books please consider buying direct from small presses like Linen Press and The Common Breath (links above) or from Indie retailers and your local bookshops. Small businesses need our support more than ever.

The image is the starting point, the text is up to you.

HAPPY BIRTHDAY US!

Preti, Kristen, Lucie and Luke

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