Autumn Writing Challenge 2022 Winners

Autumn Writing Prize:
Announcing the Winners and Shortlist

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Dear writers, readers and friends,

Some of you have already seen the news over on Twitter – the winners of our Autumn Writing Prize have been announced and we are so thrilled with the four winning pieces. Congratulations to our winners:

Excavating by Ankh Spice (https://twitter.com/seagoatscreams)
Ouch by Mims Sully (https://twitter.com/MimsSully)
Kinfolk by Robin Houghton (https://twitter.com/robinhoughton)
Exotic does not mean beautiful? by Osahon Oka (https://twitter.com/osahonoka)

We are also delighted to reveal the complete shortlist giving you another 16 pieces to enjoy over the weekend. These pieces were chosen, through an anonymised judging process, from a total of 141 submissions. Congratulations (in no particular order) to:

Toy Totem by Kelly Bennett (https://www.instagram.com/kellybennettbooks/)
Before the Beginning by Preeth Ganapathy
The witch considers her three transformed memories by Sarah-Jane Crowson (https://twitter.com/Sarahjfc)
Claw Hog by Hamish Gray @HamishM_Gray (https://twitter.com/HamishM_Gray)
Indeterminate in Autumn by Patricia Furstenberg (https://twitter.com/PatFurstenberg)
Early Morning by Carlos Ochoa @MrCarlos8a (https://twitter.com/MrCarlos8a)
Yet, to by Larry Winger @allendalediary (https://twitter.com/allendalediary)
Ruthless by Joanna Busza
Of Distances by Marie Isabel Matthews-Schlinzig (https://twitter.com/whatisaletter)
The Other Side of Us by Andrew Lasher
Transit by Thomas Petty (https://twitter.com/tomspetty8)
Kitchen Observation by Cindy Faughnan (https://twitter.com/faughnanc)
Cups of Other References by J Daniel West (https://twitter.com/archaeologyBoy)
An Abundance of Caution by Valerie Bence (https://twitter.com/BenceValerie)
A Love Story in Pantoum by Allison Renner (https://twitter.com/AllisonRWrites)
Anonymity by Jacinta Barton

Read them all at visualverse.org (https://visualverse.org/) .
This prize wouldn’t have been possible without the expertise, knowledge and patience of our fantastic judging team. We extend our gratitude to the brilliant Isabel Brooks, Jay Délise, Victoria Gosling and head judge and co-founder, Preti Taneja.

Thank you all and stay tuned for our November edition in which we celebrate our ninth birthday!

From Kristen
and the VV Team

Autumn Writing Prize 2022

Image by Etta/Girl With Red Hat

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Dear writers, readers and friends,

We are thrilled to launch our second ever Autumn Writing Prize, giving us a chance to unearth talent we might not otherwise spot. This is also an opportunity for you to flex your writing ambitions with our fast-paced writing challenge.

How to Enter
Visit the Visual Verse website (https://visualverse.org/submit/) and submit a piece of writing in response to the image prompt above. This prompt comes from Mexico-based artist ETTA, also known as Girl With Red Hat, and we are very excited to see what you find within it. Your submission must be strictly between 50-500 words, be new writing and be written specifically in response to this image. Please also ensure you read our submission guidelines (https://visualverse.org/submission-guidelines/) to see what we won’t publish.

Deadline
Submissions are open for a maximum of 24 hours. We will close submissions at midday UK time on Sunday 2nd October or when we reach 150 submissions, whichever comes first.

The Prizes
Our judges will select four winners who will be published as our featured writers for October. Each winner will receive £50 in prize money. Winner will be announced and published on Thursday 6th October.

The Judges
We are thrilled to have our inimitable co-founder, Professor Preti Taneja (https://www.ncl.ac.uk/elll/people/profile/pretitaneja.html) , back as our head judge. Preti is supported by: deputy editor Isabel Brookes; Victoria Gosling (https://www.thereaderberlin.com/victoria-gosling/) , author of the brilliant novel Before the Ruins; the hugely talented US-based writer, storyteller, and performer Jay Délise (https://www.jaydelise.com/bio) ; and Visual Verse publisher and co-founder Kristen Harrison.

Eligibility
The prize is open to any writer, anywhere in the world except those who have been a lead/featured writer for us in the past. If you have been published by Visual Verse but not as a featured writer you are eligible for the prize – please do enter!

Got questions? Please Tweet us @visual_verse with any questions or email visualverse@thecurvedhouse.com. We will endeavour to reply quickly but please remember we are on multiple timezones so there may be a delay.
Good luck, writers!

Volume 09, Chapter 07 | May 2022

Image by Miikka Luotio

Dear writers, readers and friends,

Today we take flight with a new issue of Visual Verse and we take flight to a new home for Visual Verse. After almost a decade in Berlin, The Curved House is moving to Melbourne, Australia. We will continue to run Visual Verse as a global publication, with half the editorial team in Australia and half in Europe, and we will continue to publish diverse and innovative writers from all around the world.

As a farewell to Berlin, I wanted to find a way to honour the city that gave our unique publication life. In 2013, a chance introduction to Berlin-based designer Pete Lewis (https://uk.linkedin.com/in/mr-pete-lewis-51468049) led to the first designs for the Visual Verse website. Shortly after, Preti Taneja (https://www.preti-taneja.co.uk/) visited Berlin and manifested a whole editorial vision for the publication. She became the founding Commissioning Editor and we launched on 1st November, 2013. A few years in, Berlin gave us another gift in the form of Lucie Stevens. Lucie is now back in Sydney but continues as co-editor. Visual Verse is the kind of dream project that Berlin is renowned for and the city has continued to nurture it, and us, for almost 9 years.

In the spirit of seed-sowing and collaboration, I have chosen an image depicting a special little Berlin scene, by Miikka Luotio. Alongside the image are three writers whose work has had an impact on me, or Visual Verse, helping to shape and evolve us.

We open with Paul Scraton (https://twitter.com/underagreysky) , a writer and editor based in Berlin. Shortly after moving to Friedrichshain, a district in the east of Berlin, I picked up a copy of Paul’s book The Idea of a River, published by Readux. This unassuming little gem is a lesson in linking ourselves and our environment. After reading it I set out to walk the river Spree, through Treptower park, with a consciousness I hadn’t tapped into for a long time. I saw Berlin differently and I’m very grateful to this little book for opening my eyes wider. Paul is the author of a number of other books including the novel Built on Sand (Influx Press, 2019) and the recent novella of the forest, In the Pines (Influx Press, 2021). You can find him atwww.underagreysky.com (http://www.underagreysky.com/) .

Divya Ghelani (https://twitter.com/DivyaGhelani) came my way via Visual Verse patron Cathy Galvin who runs the UK’s leading literary salon, the Word Factory (https://thewordfactory.tv/) . Last year she co-curated the August issue (https://visualverse.org/images/veronica-lissandrini/) of Visual Verse, bringing fresh new voices to the fold, some of whom are Berlin-based. This was a moment when I was personally struggling to keep things moving amid the pressures of the pandemic and other commitments, and Divya came forth with her characteristic ease and grace to re-ignite things. Divya is a writer herself and holds an MA in Creative Writing from the University of East Anglia and an MPhil in Literary Studies from the University of Hong Kong. She has published widely, and is now working on a novel. Divya hosts a yearly New Fiction By Women & Non-Binary BIPOC Author Reading Series for The Reader Berlin and co-hosts a short story club for the Word Factory.

It is unusual that we would commission a lead writer twice, but I could not do a Berlin issue without the inimitable Victoria Gosling (https://www.instagram.com/victoriagosling) . Victoria is the founder of The Reader Berlin (https://www.thereaderberlin.com/) and The Berlin Writing Prize (https://www.thereaderberlin.com/2022-berlin-writing-prize/) . She has been the backbone of our Berlin literary life and a great champion of writers, readers and book businesses in Berlin. Some of my favourite memories of Berlin have been facilitated by Victoria – one year she took over an entire old Fort and hosted a magical weekend literary festival. Beyond this generosity, she is a hugely talented writer. Her brilliant debut novel Before the Ruins was published in 2021 by Serpent’s Tail (UK) and Henry Holt (US) revealing a gift for storytelling and masterful character development. I’m indebted to Victoria for her friendship, gentle influence and unending support.

What these three writers have in common is a willingness to create opportunities for others while also remaining dedicated to their own craft. That’s a lot of work, and perhaps what’s most beautiful about Berlin is that it gives people the time and space to give and grow.

The Berlin magic is forever in our DNA.

So now it’s over to you, dear writers, to see where this image leads. Of course, there is no need for you to write about Berlin. The image is simply the starting point, the rest is up to you.

Enjoy and thank you for all of your support and continued participation in this magnificent project.

Kristen
and the VV team

Follow us on Twitter

@visual_verse (https://twitter.com/visual_verse)
@underagreysky (https://twitter.com/underagreysky)
@d (https://twitter.com/kenkeyandfish) ivyaghelani (https://twitter.com/DivyaGhelani)
@VictoriaGosling (https://twitter.com/VictoriaGosling)

Volume 08, Chapter 07 | May 2021

Image by Unknown Artist / Wellcome Trust

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Dear writers,

This month we have a special collaboration with the much-respected imprint, Serpent’s Tail (https://serpentstail.com/) , to celebrate the debut novel (https://uk.bookshop.org/books/before-the-ruins/9781788163798?aid=7452) of Victoria Gosling.

Let me tell you a little anecdote about Victoria Gosling (https://twitter.com/VictoriaReaderB?s=20) . Several years ago, I found myself an hour from Berlin, in a strange little Fort (replete with a moat) with cavernous rooms and an honesty bar. This was The Reader Berlin (https://www.thereaderberlin.com/) ’s Fort Gorgast Writer’s Festival and I was there to represent Visual Verse. I sat in on a workshop that Victoria ran, in which she took participants through a number of writing activities that were very much in the spirit of the surrealists, and in the spirit of Visual Verse. These were activities designed to tap the subconscious and remove mental barriers to one’s own creativity. I expected to be more of an observer than a participant but as Victoria unfurled her intriguing, thoughtful array of writing exercises I found myself deeply engaged. I have kept the work I did that day. And I have never forgotten the feeling of liberation as her prompts evoked words I never knew I had in me.
Victoria has a special kind of magic: she’s a gifted writer and also someone who can share that gift, conjuring other people’s talents with great empathy and sensitivity.

So without further ado, I present your May visual writing prompt, an intriguing artwork thought to be from around 1850, by an unknown artist, and courtesy of Wellcome Collection. It is an honour and pleasure to present Victoria’s response on page one. Her first full-length novel, Before the Ruins (https://uk.bookshop.org/books/before-the-ruins/9781788163798?aid=7452) , will be published on May 6th by Serpent’s Tail. It is a fabulous book, full of mystery, speculation, characters that oscillate between dark and light, a complex but accessible narrative, and a protagonist who keeps us at arms length while anchoring us to her plight. Put it on your summer reading list immediately.

On page two, we are thrilled to feature another new Serpent’s Tail writer, Alice Ash (https://twitter.com/aliceash_?s=20) , whose short story collection Paradise Block (https://uk.bookshop.org/books/paradise-block/9781788165549) was released in February. Alice is the current Writer in Residence at Open Book (https://openbookreading.com/) , a literary organisation working across Scotland; you can read Alice’s stories here (https://openbookreading.com/unbound/#lockdown) . She lives in Brighton with her boyfriend and 2,000 books.

And as you know we often invite regular contributors whose work has caught our eye month-to-month. On page three we are delighted to introduce you to Rachel Belward (https://twitter.com/RBel2?s=20) . Rachel grew up in northern Italy, and she now lives in London. She is a regular contributor to Visual Verse, and her short stories have been published by Dear Damsels. She works for a mental health charity, and is working on a novel about love, music and climate disaster. She loves to read, and her Instagram book reviews are my go-to for reading recommendations. Follow her on Instagram at @rach_is_reading (https://www.instagram.com/rach_is_reading/) .

Now it’s your turn, dear writers. The image is the starting point, the text is up to you.

Enjoy!

Kristen
with the VV team, Preti, Lucie, Isabel and Luke.

Follow us

@visual_verse (https://twitter.com/visual_verse)
@VictoriaGosling (https://twitter.com/VictoriaGosling)
@aliceash_ (https://twitter.com/aliceash_)
@RBel2 (https://twitter.com/RBel2)
@serpentstail (https://twitter.com/thereaderberlin)
@thereaderberlin (https://twitter.com/thereaderberlin)

Volume 03, Chapter 06 | April 2016

Image by Michael Salu

Dear writers, readers and friends,

Two Sunday’s ago we ventured to Galander bar in Berlin’s Kreuzberg to join The Reader Berlin (https://www.facebook.com/The-Reader-Berlin-206584212747648/) for their monthly Sunday Salon. Hosted by our favourite Berlin literary goddess, Victoria Gosling, this salon featured a very special guest – particularly for those of us who indulge in the aesthetic of books. Former Creative Director at Granta, and now multi-disciplinary artist, Michael Salu (http://www.michaelsalu.com/) presented two original readings and this beautiful image that we feature for the April issue. Lost in the layers and torn from the inside, what will you make of it, dear writers?

In response to this image, we feature three winners of The Reader’s writing competition that took place that night. We lead with The Talk by Anna Geary-Meyer. Originally from Boston, Anna is an emerging writer of poetry and creative non-fiction who now lives in Berlin. She is interested in psychology, creativity, spirituality, and philosophy. Her impressive winning piece morphs the characteristics of poetry and prose so beautifully that we hardly notice we’re eavesdropping.

First runner-up Lucy Locket delivers a perfectly formed, rhythmic poem that, for us, feels like both an unveiling and a re-veiling. Lucy is a chef at Martha’s restaurant in Berlin and curates conceptual food events under the name MASTICATE, together with her partner, interior architect Jacinta Lawani.

And finally, it’s a numbers game for the mysterious Francesco Fano, who took us to 39 and then slipped back into the Berlin night.

These three pieces truly reflect the Visual Verse agenda: to encourage and celebrate writing from instinct. These were written in just 25 minutes, at 10pm at night, in a low-lit bar, probably under the influence of delicious cocktails and in response to a single, provocative image. Perhaps we should all put down our morning pages and go noctural. It’s getting late, what better time to start?

Awaiting your words: www.visualverse.org/submit

Preti and Kristen

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