Volume 09, Chapter 03 | January 2022

Image by Dee Mulrooney
Dear writers, readers and friends,

We made it! Another year over, a new one begins, and to celebrate we present our first issue of Visual Verse for 2022. This one comes with a large dose of gratitude. After another challenging year we are ever more grateful to you, our community of readers and writers, for continuing to deliver exciting, challenging work. This past November were were especially floored by your responses to our inaugural writing competition. Thank you for helping us build our unique publication, woven together with your voices and ideas.

We have been thinking and talking about the vocabulary around beauty and joy. Our editorial team recently had an illuminating discussion about how much easier it is to access vocabulary around pain and suffering than vocabulary around beauty and hope. A common misconception is that a poem needs to mine the darkness to be truly moving. But joy can move us just as powerfully. We need to work a little harder to find the words but the words are there. So, how about this: for your January submission, challenge yourself to explore the vocabulary around beauty, joy, hope and/or optimism. Help us create an issue full of words that will lift us up and carry us into 2022 with a skip in our step.

To inspire you, some of our team have shared the writing that bring them joy:

Lucie Stevens, our Sydney-based Deputy Editor, recommends Walt Whitman’s ‘Song of Myself’, specifically section 46: https://poets.org/poem/song-myself-46. She says “It’s an oldie, but a goodie, and one I return to often.”

Isabel Brooks, our UK-based Deputy Editor, has four joyful poems to share:
“Hope” is the Thing with Feathers (https://www.poetryfoundation.org/poems/42889/hope-is-the-thing-with-feathers-314) by Emily Dickinson
My Heart (https://poetrysociety.org/poetry-in-motion/my-heart) by Frank O’Hara
Still I Rise (https://www.poetryfoundation.org/poems/46446/still-i-rise) by Maya Angelou
Catalog of Unabashed Gratitude (https://www.poetryfoundation.org/poems/58762/catalog-of-unabashed-gratitude) by Ross Gay

And Jordan Fleming, our NYC-based editorial assistant, recommends some longer reads: Resignation by Nikki Giovanni, Walking Our Boundaries by Audre Lorde, The Perfect Ease of Grain by Toni Morrison and Le sporting-club de Monte Carlo (For Lena Horne) by James Baldwin.

So now, without further ado: this issue invites you to respond to a magnificent, layered image by Berlin-based Irish artist Dee Mulrooney (http://deirdre-mulrooney.com/) . Dee’s work is peppered with little whispers of ancestors, folklore and femininity. Take your time with it as there is much to see.

Launching us into the new year is a reflection on friendship by Allie Coker (https://www.facebook.com/alliecokerauthor) . Allie holds an MFA in Creative Nonfiction from Queens University of Charlotte. She has taught creative writing courses and also worked as an editor. Her second book, a novella titled The Last Resort (https://www.barnesandnoble.com/w/the-last-resort-allie-coker/1138584134) , was published in January 2021. She was selected for a Virginia Center for the Creative Arts residency, as well as a Wildacres residency. She is a member of the North Carolina Writers Network and shares a home with her two rescued hairballs, Bob and Queen, in Chapel Hill, North Carolina.

On page 2, Yen Ooi (https://www.yenooi.com/) invites you to relax. Yen is a writer-editor-researcher who explores East and Southeast Asian culture, identity and values. Her projects aim to cultivate cultural engagement in our modern, technology-driven lives. She is a PhD candidate at Royal Holloway, University of London looking at the development of Chinese science fiction by diaspora writers and writers from Chinese-speaking nations. Yen is narrative director and writer on Road to Guangdong (https://shop.excalibur-games.com/products/road-to-guangdong) , a narrative-style driving game. She is author of Sun: Queens of Earth (novel) and A Suspicious Collection of Short Stories and Poetry (collection). She is also co-editor of Ab Terra, Brain Mill Press’s science fiction imprint. When she’s not got her head in a book, she lectures, mentors and plays the viola. Her latest book, Rén: The Ancient Chinese Art of Finding Peace and Fulfilment
(https://uk.bookshop.org/books/ren-the-ancient-chinese-art-of-finding-fulfilment-through-the-world-around-you/9781787398221?aid=7145) will be available in February 2022.

Page 3 offers a thought-provoking piece by Simon Costello (https://twitter.com/simoncostello13 ) . Simon’s poems have appeared in bath magg, The Stinging Fly, The Rialto, Magma and The Irish Times. In 2021, he won The Rialto Nature and Place Poetry Competition and was selected for the Poetry Ireland Introductions Series. He lives in Co. Offaly, Ireland.

And now, dear writers, it’s over to you. We look forward to seeing what our January image and bonus writing challenge inspire.

Just a reminder to both long-term contributors and new members of the fold: write 50-500 words in one hour, responding to the image. Please only submit one piece per month. Due to the volume of submissions we receive, we will only review your first submissions each month. All subsequent submissions are removed from our system, so make sure the piece you submit is the one you want us to consider.
And don’t forget to submit by the closing date and time. Submissions close midnight (UK time) on January 15th. You can find our full submission guidelines here (https://visualverse.org/submission-guidelines/) . Good luck and happy writing!

The image is the starting point, the rest is up to you.

With love and new year wishes from the VV team.

Kristen, Lucie, Preti, Isabel, Tam, Nahda, Jordan, Aimee and Anna.
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Volume 05, Chapter 04 | February 2018

Image by Daniel Frost

Dear writers, readers and friends,

Here ye: we are shakin’ things up and making some changes to how we accept and publish submissions. These changes are intended to improve the process for you, our beloved writers, and help us to manage the growth of Visual Verse (something that continues to amaze us).
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New Submission Guidelines:

Henceforth we will release a new image on the 1st of each calendar month (as we do now) and accept submissions up until the 15th of the month. We will publish up to 100 submissions over the course of the month, no more. The other rules remain the same: 50-500 words, written within an hour, in response to the image. The writing must be new and original. Read more about our publishing policy (https://visualverse.org/about-visual-verse/) on the website.

We are excited to see how these changes pan out over the coming months. Both the deadline and the cap on submissions mean that we can focus on publishing the best of what comes in and ensure that these pieces are showcased on the site while the issue is still live. Please let us know if you have any feedback, either now or in the future when the new rules are underway. Email us at visualverse@thecurvedhouse.com (mailto:mailto: visualverse@thecurvedhouse.com) anytime.
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And now, without further ado, we present this wonderful, whimsical painting by Daniel Frost, an artist and illustrator whose work we have admired for so many years. Do your eyes a favour and follow his Instagram: @danielfrostillustration (https://www.instagram.com/danielfrostillustration) .

Our lead response comes from Megan Hunter, a hugely talented writer who is fast building an impressive body of work. Megan was born in Manchester in 1984, and studied English Literature at Sussex and Cambridge. Her poetry has been shortlisted for the Bridport Prize and she was a finalist for the Aesthetica Creative Writing Award. Her first book, The End We Start From, was published in 2017 in the UK, US, and Canada, and has been translated into seven languages. It was shortlisted for Novel of the Year at the 2017 Books Are My Bag Readers Awards and is longlisted for the Aspen Words Prize.

Megan has a long-standing relationship with Visual Verse. She says:

I started writing pieces for Visual Verse a few years ago, before I’d had anything published. I was working in an office and the visual prompts were an ideal creative stimulus during my lunch hour! I found the process of responding to an image, particularly within a one hour time frame, gave a freedom to my work that was so important when figuring out what I wanted to write, and is still so useful now. I think Visual Verse was probably the first time I’d ever seen my name ‘in print’ online, and it’s a real honour to now be writing the lead piece.

We’re pretty chuffed about that.

On page 2 we feature Maisie Chan, a published writer from Birmingham who now lives in Glasgow. She was recently commissioned to write stories for the Human Values Foundation and has also been published in the Penguin decibel Anthology The Map of Me. Maisie won the BBC Writersroom Competition BBC Bites and was a finalist in the 2015 Creative Futures Literary Awards. During 2016-2017, she was chosen for the Megaphone – an Arts Council/Publisher’s Association project to mentor and develop BAME writers writing their first novel for children or teens. Maisie has taught creative writing to children and adults and was an Arvon tutor in 2009. She is working on her first novel for teens about a fifteen-year-old British Chinese girl whose grandfather has early-onset Alzheimers.

Our next writer, Melissa Fu, grew up in Northern New Mexico and currently lives in Cambridgeshire, UK. Her work appears in many journals including The Lonely Crowd, International Literature Showcase, Skin Deep, and The Nottingham Review. In 2017, she was the regional winner of Words and Women’s Prose Competition and one of four Apprentices with the London-based Word Factory.

And on page 4 we have Yen Ooi, one of our favourite publishing people and a regular Visual Verse contributor. Dirty diapers, science fiction, and CreateThinkDo (http://createthinkdo.com/) is about all Yen has time for nowadays, but she did manage to pen this little piece and connect our February issue to another dimension…
There it is, writers. Submit before 15th February and as always, enjoy the challenge. The image is the starting point, the text is up to you.

Kristen, Preti and Lucie

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