Volume 08, Chapter 10 | August 2021

Image by Veronica Lissandrini

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Dear writers, readers and friends,

Rise, write and shine. Your August issue is here and isn’t it a beautiful one? With the help of my co-curator this month, Divya Ghelani, we showcase four women to watch: one artist and three writers, all with abundant talent. I was deeply moved by this month’s writing – actual tears in some cases – and I felt a kind of tectonic shift as I read them. I felt the impact of both excellent writing and work that speaks to the moment we are in. That combination is the dragon we chase at Visual Verse. I hope you enjoy them as much as I did.

Our writing prompt comes from Italian artist Veronica Lissandrini (https://veronicalissandrin.wixsite.com/portfolio) , whose work spans visual art and writing. She has a fierce manifesto on her website that centres many of the values we share: freedom, creativity, disruption, truth, community, joy and dream. Follow Veronica on Instagram (https://www.instagram.com/iamverolix/) to see more of her fabulous work.

And now, our magnificent lead writers: On page 1, we welcome Amy Stewart who makes her Visual Verse debut with a brilliant piece, Luna. Amy is a writer living in York and she recently won the Word Factory Northern Apprentice Award (https://thewordfactory.tv/word-factory-apprentice-award-announcement-2021-22/) . She is currently researching a PhD at the University of Sheffield about female circus artists and the carnivalesque. Her short stories have been shortlisted for the 2021 Mairtin Crawford Award and the 2019 Bridport Prize. Amy’s work can be found in Test Signal (DeadInk Books/Bloomsbury, 2021), Ellipsis Zine, Bandit Fiction and the York Journal.

On page 2, we are thrilled to feature Avrina Prabala-Joslin (http://www.avrinajos.net) , one of our regular contributors whose talent shines brighter with every submission. Avrina is a South-Indian writer living in Berlin. Her short story She’s a Tank, a Battalion, a Banyan won the Short Fiction/University of Exeter International Short Story Prize 2021. Her works have been shortlisted for the Indiana Review Fiction Prize 2021, Desperate Literature Short Fiction Prize 2021 and the Berlin Writing Prize 2019. She’s currently finishing a novel that follows a few nomads and we are very excited to read it.

Alaya Mays, on page 3, is a student at Western Washington University studying German and Creative Writing. She has been writing and performing her own spoken word poetry since she was 16. Alaya tells us she has a special love for calculus, sushi, and playing cards at brunch. Her first piece on Visual Verse was published when she was still in school and we are enamoured by her work: the style and maturity she already displays is something special. Watch this space.

My deepest gratitude to Divya Ghelani (https://www.divyaghelani.com/) who co-curated this month’s writers. Divya is a British-Indian writer living in Berlin. She holds and MA in Creative Writing from UAE and in 2016 she won an Apprenticeship at The Word Factory (http://www.thewordfactory.tv/site/divya-ghelani/) . (http://www.thewordfactory.tv/site/apprentice-scheme/the-workers/) That’s where we were introduced to Divya’s work and she was later featured in Volume 5, Chapter 3 (https://visualverse.org/submissions/the-peacock/) . Divya has also been published in the BareLit Anthology, Litro: India, Too Asian, Not Asian Enough, Radio 4 and many more. As it turns out, she can not only write herself, but also spot exciting talent in others. Thank you, Divya.

So, know what to do. Deliver us your dragons. We are looking for fresh, innovative, experimental writing between 50-500 words, in response to this image. Challenge yourself. Push your boundaries. Go beyond the literal. Write within an hour to conjure thoughts and ideas you didn’t know were in you.

The image is the starting point, the rest is up to you.
Kristen,
with Divya Ghelani and Team VV

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@visual_verse (https://twitter.com/visual_verse)
@DivyaGhelani (https://twitter.com/DivyaGhelani)
@AStewartWriter (https://twitter.com/astewartwriter)
@AvrinaJoslin (https://twitter.com/AvrinaJoslin)
@iamverolix (https://www.instagram.com/iamverolix) (Insta)

Volume 05, Chapter 01 | November 2017

Image by Alicia Bock courtesy of Stocksy (https://www.stocksy.com/ALICIABOCK)

Curated in collaboration with Creative Review’s Storytelling issue (https://www.creativereview.co.uk/the-storytelling-issue-oct-nov-2017/)

Dear writers, readers and friends,

HAPPY FOURTH BIRTHDAY.
Welcome to the very special fourth birthday edition of Visual Verse. We, your loyal publishers, are so very proud. We cannot believe that this project, begun on a creative whim in 2013, has flourished to become the avant-garde online citadel of your ongoing construction. It has survived our day jobs for four years and sometimes we think we have survived because of Visual Verse. Thank you all.

Over the past four years we have commissioned big names and supported emerging ones, we’ve published over 4000 pieces while you’ve been writing your own collections, stories and novels – and getting published and winning prizes yourselves. We’ve celebrated it all with our weird and wonderful tweets (over 4000 of those, a fitting number for our fourth year) and with various events, workshops and partnerships that have seen Visual Verse come alive in gallery spaces, within artists’ projects, as part of performance pieces, and now… in print.

We are so excited to celebrate our birthday issue with a collaboration with Creative Review (https://www.creativereview.co.uk/) , a magazine that regularly inspires us with features about the best of the best in the book design world, as well as the best of the best across the whole spectrum of art and design. Thanks to their lovely Deputy Editor, Mark Sinclair, we have been able to play a small role in helping their latest issue come together. Their October/November issue is a storytelling special in which they ask: could a picture be a starting point? What kind of responses might a single image evoke? They asked their readers to select an image to be featured on the cover and reader Stuart McFerrers suggested the image you see above, by artist Alicia Bock (http://www.aliciabock.com/) via the Stocksy photo library (https://www.stocksy.com/ALICIABOCK) . We helped commission writers to respond to the image by asking a handful of VV contributors whose work always makes us
smile – for reasons of style, substance and sheer visual verve – to respond. They are published in the print issue of Creative Review magazine, and as our supporting leads on Visual Verse. In no particular order they are Susanna Crossman, Drew Milne, Rishi Dastidar, Hazel Mason, Clare Archibald, Elizabeth Gibson and Angela Young. Grab hold of a copy of Creative Review to support us, the writers and the power of creative collaboration.

https://www.creativereview.co.uk/the-storytelling-issue-oct-nov-2017/

As you know we also support small presses, and often publish lead writers who come from the UK’s leading independent publishers including Fitzcarraldo, Comma, Peepal Tree, And Other Stories and Galley Beggar Press. So it’s only right our lead piece this month is written by the ultimate small press champion Neil Griffiths. Not only is he the author of two previous novels – Betrayal in Naples (Penguin), winner of the Authors’ Club Best First Novel, and Saving Caravaggio (Penguin), shortlisted for the Costa Novel of the Year with a new novel – he also has a new book out by Dodo Ink, As a God Might Be, published last month. Neil also co-founded the Republic of Consciousness Prize (http://www.republicofconsciousness.com/) for Small Presses and is an all-round wonder and gift. Follow him at @neilgriffiths (http://www.twitter.com/neilgriffiths) .

We couldn’t do what we do without our patrons, one of whom – Cathy Galvin – is co-founder of The Word Factory. She’s also the brains behind the wonderful C (http://www.thewordfactory.tv/site/events/) itizens: The New Story (http://www.thewordfactory.tv/site/citizen-festival/) festival taking place in London from 10-12 November and featuring an amazing line up (including more than a few VV-ers) – so get down there, and get into it.

As the new Visual Verse year begins, here are our birthday wishes: that you keep writing, keep submitting, keep reading, keep tweeting – help us make it to five. The image is the starting point, the text is up to you.

Birthday love,
Preti and Kristen

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