Volume 09, Chapter 06 | April 2022

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Image by Vony Razom

Dear writers, readers and friends,

This month sees the publication of Aftermath (https://www.andotherstories.org/aftermath/) , by Visual Verse co-founder Preti Taneja. Written in the literal aftermath of the killing of Saskia Jones and Jack Merritt, by Usman Khan, this exceptional work is an exploration of grief, guilt, trauma, politics and deeply-rooted injustice. Nikesh Shukla calls it a “masterclass in literary brilliance” while Max Porter calls it “a major landmark in British narrative non-fiction… a vitally important as well as deeply moving book”.

Those who have followed Visual Verse from the beginning will know that we have deliberately evolved our platform to provide literary space to underrepresented writers, and to encourage brave and challenging work. We are extremely privileged to have benefited from Preti’s rigorous intellect, literary expertise and her commitment to human rights and social justice. And now with her latest book she shows us the true power of words.

This month I chose to honour this commitment to brave, inclusive work by featuring an image by artist Vony Razom who is currently producing art from a bomb shelter in Ukraine. This image is complimented by three writers who have had to flee their homes, or whose families have had to flee. We are so grateful to each of them for bringing their completely unique voices to Visual Verse and sharing a piece of themselves in their work. Content warning: Please be aware that this issue contains reference to sexual abuse and violence that some readers may find upsetting.

On page one, we kick off with a beautiful homage to birth and rebirth by Daniela Suleymanova. With Russian, Armenian and Malagasy origins, Daniela explores the dimensions of multiculturalism, and the complexities and the beauty of métissage through visual arts, photography and writing.

On page two, we present Emmanuella Dekonor (https://twitter.com/kenkeyandfish) , a native of Ghana who spent her early years in the UK where she sought refuge in 1982, following the ‘June 4th Revolution’ staged by junior military officers. She holds an MA in Creative Writing from Birkbeck University. You can read more by Emmanuella in our archive (https://visualverse.org/writers/emmanuella-dekonor/) .

And on page three, we welcome Najwa Ahmed (https://najwaahmed.com/) (1989), a Palestinian writer and visual artist based in Berlin. In their short films “when we were already made”, “silence” and “Zehra on the roof” they worked with queer identity politics and the consumption culture of bodies. In their writing and performance such as “the watermelon resistance”, “how dance moves my gender euphoria” they tackle topics of displacement and migration stereotypes, sometimes only to reflect and sometimes to deconstruct. Connect with them on Instagram @purplekarmel (https://www.instagram.com/purplekarmel/) .
For every piece submitted before midnight today, 1st April, we will donate £1 to Poets for Ukraine (https://gofund.me/80ab4dec) and £1 to the Vony Razom (https://vonyrazom.com/) , the Ukrainian artist whose work we feature. Please consider chipping in (https://gofund.me/80ab4dec) to help Poets for Ukraine reach their funding target.
Donate to Poets for Ukraine (https://gofund.me/80ab4dec)

Before I sign off I’d like to say another huge thank you to our most recent cohort of volunteer editors and curators who have valiantly kept Visual Verse running these past few months: Tam Eastley, Anna Mace, Nahda Tahsin and Jordan Fleming and of course our two utterly brilliant editors: Lucie Stevens and Isabel Brookes. Thank you all for your time and commitment.

Now it’s over to you, dear writers. As always, we invite you to be brave with your writing and/or to use Visual Verse as a moment of blissful escapism. The image is the starting point, the text is up to you.
Kristen (She/Her)
and the VV Team

Follow us on Twitter

@visual_verse (https://twitter.com/visual_verse)
@kenkeyandfish (https://twitter.com/kenkeyandfish)
@PretiTaneja (https://twitter.com/PretiTaneja)

Volume 03, Chapter 01 | November 2015

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Celebrating our 2nd birthday.
Image by Coralie Bickford-Smith

Dear Writers,

Welcome to our 2nd birthday edition, and the beginning of our third volume. How far we have come! In April 2013 we came up with a mad plan to celebrate the inter-collaborative process of writing and art. We wanted to create a contemporary digital platform for cross-pollinating visual arts and literature and we had two rules: 1) there would be set generative constraints, and 2) the site had to be elegant, reflecting traditional book design. Kristen is a publisher of beautiful books (http://www.thecurvedhouse.com/) , Preti is a writer (http://www.preti-taneja.co.uk) , Pete Lewis is a designer (http://www.mrpetelewis.com/) of the highest order… and so in November 2013, Visual Verse was born.

When we first launched we were publishing about 30 submissions a month. A watershed moment came in March 2014, when Denise Nestor (http://www.denisenestorillustration.com/) ’s pencil drawing of birds alongside Adam Marek’s The Factory Explosion (https://visualverse.org/submissions/factory-explosion/) in the lead caught your imaginations. Overnight submissions exploded and we had 80 wonderful pieces on the site. In October this year, for the first time, we published over 100 amazing pieces.

Every day that we publish you, we feel delighted and honoured. As the site grows we are refreshed by your commitment, your imagination and your energy. A look at our writers reveals familiar names such as Stella Duffy, Adam Foulds and Nikesh Shukla; and names who we published as they were becoming ‘names’: Eley Williams, Nisha Ramayya, Sandeep Parmar, Sophie Mayer, Declan Ryan, Hedley Twiddle – the list goes on. We have contributors from across Africa, the USA, UK, Indonesia and more… Visual Verse is now a chorus of global voices.

We couldn’t have got this far without our patrons: writers Andrew Motion, Ali Smith, Cathy Galvin and Bernardine Evaristo, and photographers Mark Garry and Marc Schlossman. Thanks go to them.

Now, to meet the party and begin our third year. As a nod to our love of, and respect for, beautiful book design we feature an image by one of the UK’s leading designers, Coralie-Bickford Smith (http://cb-smith.com/) . Coralie is responsible for many of the stunning Penguin series that grace our shelves including the Great Foods series, the clothbound classics and the exquisite F. Scott Fitzgerald series. This month, Penguin imprint Particular Books have published The Fox and the Star – written, illustrated and designed by Coralie herself. This magical book embodies all that Visual Verse stands for – that moment went words and images wrap themselves around eachother so perfectly that you could never imagine them being apart.

We are absolutely thrilled to be celebrating and leading this month with a piece by Ivan Vladislavić. Born in Pretoria, South Africa in 1957, he now lives in Johannesburg. His acclaimed fiction includes Double Negative, The Restless Supermarket and 101 Detectives. His work has won many awards, including Yale University’s prestigious Windham-Campbell Prize in 2015, for which writers receive an unrestricted grant of $150,000 to support their writing. His classic novel The Folly (http://www.andotherstories.org/book/the-folly/) , a sophisticated yet funny book about the power of suggestion and castles in the sky, is published by And Other Stories on 11 sNovember 2015. You read it here first!

Our second lead is the poet Helen Mort, whose first collection ‘Division Street’ was published in 2013 and won the Fenton Aldeburgh prize. She is a Douglas Caster Cultural Fellow at The University of Leeds.
And to celebrate properly, we have commissioned three pieces from longstanding contributors to the site, whose work we admire every month. Rishi Dastidar is a member of Malika’s Poetry Kitchen. A runner-up in the 2011 Cardiff International Poetry Competition and the 2014 Troubadour International Poetry Competition, his work has featured in the 2012 anthologies Adventures in Form (Penned in the Margins) and Lung Jazz (Cinnamon Press / Eyewear Publishing), and most recently in 2014’s Ten: The New Wave (Bloodaxe). He tweets @BetaRish.

Myrto Petsota was born in Athens, Europe. Places of residence during her formative years include countries that no longer exist, countries that are about to disappear and others that are yet to be, namely Czechoslovakia, Italy, Greece and Scotland. She now writes from Paris, where she also teaches, practices literary criticism and exile. She is immensely fond of the quarterly French literary review L’Atelier du Roman, where she publishes some of her critical pieces of writing.

And last but not least, Hazel Mason, who describes herself thus: ‘Proud to have been a sister in the NHS, now a happy opsimath in Norwich who has stumbled on the panacea of poetry, postal critiquing and vibrant literary group discussion, wallowing in words.’ She tweets @hazelmason10.

So dear writers, we hope you’ll be inspired to keep submitting, keep tweeting us, keep reading each other and talking about what you like about each others’ work. And we hope to see you all at our second birthday party, in conjunction with The Word Factory and the VS Pritchett short story prize, at Waterstone’s Picadilly on Saturday 28^th November, 6-8pm. Book here: http://www.thewordfactory.tv/site/events/ – we hope to see you there!

In the meantime, amidst all the celebrations, don’t forget what it’s really all about… the image is the starting point: the text is up to you.

Happy 2^nd Birthday Visual Verse!

Preti and Kristen

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