Volume 08, Chapter 02 | December 2020

Image by Oscar Ukonu

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Dear writers, readers and friends,

Kristen here, publisher, curator and co-founder of our beloved Visual Verse. This final issue for the year 2020 comes with a personal message from me.

This year, I have made some simple but significant changes to how I curate Visual Verse, including a commitment to featuring more contemporary artists. Prior to 2020, I was complacent in my approach to curation, sourcing images primarily from public domain collections, photo libraries and museum archives. Not only did this limit the diversity of artists represented, but it also meant we missed opportunities to be a true reflection on the world around us. The zeitgeisty atmosphere that you all bring with your writing is what makes Visual Verse a truly unique publication. The images need to match you.

My search for current, contemporary work is how I came to discover Oscar Ukonu (https://www.oscarukonu.com/) , the Nigerian artist behind our visual prompt for December. Oscar creates exquisite afrorealist portraits using only a ballpoint pen. He says “exploring afrorealism in my works is a practice of representing, documenting and celebrating the diversified forms of black individuality. With my work, I look at the role of socio-historical influences on contemporary identities, believing identities as socially constructed and constantly changing.” For me, this is a perfect semblance of my own preoccupation with historical images and Oscar’s embodiment of his own history through deeply mindful artworks. I have chosen to feature him now, on the tail end of the protests in Nigeria (https://www.nytimes.com/2020/11/13/world/africa/Nigeria-EndSARS-protests.html) against police brutality, to draw attention to the talent and tenacity of artists like Oscar, who continue to work despite the
challenges they face.

Oscar describes his creative process as a practice in time and patience, working approximately 200 to 400 hours on a piece. He says: “I aim to provoke thought and engage my audiences intellectually… through visual dialogues that establish a relationship with the viewer, and encourage their participation to the same extent as my involvement in it.”

Oscar spent 200+ hours on this piece and he encourages you to participate to the same extent. You have one hour. What will you do with this time? What do you see in this image? What do you feel? Where will it take you? What will you remember? How will it inspire you? Be brave, obscure, abstract. The selection of this image is, of course, an act of quiet activism in the spirit of Visual Verse, but it is also simply a beautiful, powerful work. Enjoy it as you wish and bring forth your own words.

To inspire you we have three exceptional writers who give us three completely different and wonderful responses to this image. On page one we welcome the brilliant Jasmine Richards (https://jasminerichards.com/) , who has written over a dozen books for children and teenagers, including Keeper of Myths published by Harper Collins US. Jasmine is the founder of Storymix (https://www.storymix.co.uk/) , a fiction development company that creates inclusive series fiction for publishers. All children, regardless of background, get to be the heroes in these stories. Storymix is actively seeking writers from BME backgrounds to work with and Jasmine uses her unique experiences as author, editor and writing coach to develop new voices and new stories. She really does try not to read the review of her books…

On page two we are thrilled to bring you Jennifer Celestin, a Haitian-American writer, performer, and facilitator. Her writings have been included in Akashicbooks.com (http://www.akashicbooks.com/real-love-by-jennifer-celestin/) , No, Dear Magazine, The Hawai’i Review, la Revue Trois/Sant/Soixante, aaduna (https://aaduna.org/summer2019/poetry/jennifer-celestin/) , and Midnight & Indigo (https://www.midnightandindigo.com/author/jennifer-celestin/) . She received a B.A. from Wesleyan University, an M.A. from NYU, and her M.F.A. in Fiction at CUNY: Queens College. Check her out this Friday, December 4th from 4pm-6pm for a virtual event with other Afro-Latinx artists. (https://www.eventbrite.com/e/mind-body-soul-afrofuturist-sacred-sounds-tickets-130421749965)

And on page three we feature one of our regular contributors, Jaya Avendel, a word witch from the Blue Ridge Mountains of Virginia, writing family into fantasy through poetry and prose. Her writing has been published here at Visual Verse and by Free Verse Revolution, and Spillwords Press, among others. She is also published in As The World Burns Anthology from Indie Blu(e) Publishing. Her poetry is also forthcoming at Mookychick. She writes at ninchronicles.com (https://ninchronicles.com/) and tweets as @AvendelJaya (https://twitter.com/AvendelJaya) .

So, dear writers, what will you make of this image? As always, you have until the 15th to write 50-500 words, in one hour. The image is the starting point, the text is up to you.

With love and thanks for another incredible year of writing. You are a remarkable community of creatives.

Kristen

With Preti, Lucie and Luke

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Volume 06, Chapter 08 | June 2019

Image by Craig Carry

Dear writers, readers and friends,

It is June and, with light minds and grieving hearts, this issue is dedicated to Judith Kerr, author of the classic children’s books Mog, The Tiger Who Came to Tea and When Hitler Stole Pink Rabbit. Our first lead writer, Sita Brahmachari, calls her piece “Spirit Guide to Childhood”. Kerr was a spirit guide for so many of us, sparking an early love of reading and helping us become the writers we are, and her life was an example of everything we want to protect today: freedom of speech, refugee rights, migrant rights, children’s literacy. Kerr was German-Jewish; in 1933, she left Germany with her family because her father was critical of the Nazis. They later burned his books. The family travelled through Europe and arrived in Britain in 1936, where Kerr lived as a naturalised citizen for the rest of her life. She died on the 22nd of May, aged 95.

To celebrate the life and work of Judith Kerr, we have enlisted a group of wonderful children’s writers for the month of June. Their pieces are in response to an image by Irish artist Craig Carry (http://craigcarry.net/) , who not only creates beautiful screenprints from his hometown, Cork, but also runs a superb music website, Fractured Air (https://fracturedair.com/) .

We kick off with Sita Brahmachari (https://twitter.com/SitaBrahmachari) whose creative projects with diverse communities are at the heart of her writing. She has been Writer in Residence for The Book Trust and Islington Centre for Refugees and Migrants; her debut novel for young people Artichoke Hearts, won the Waterstones Children’s Book Prize and her subsequent novels (Macmillan Children’s Books) have been nominated for the Carnegie and many other major awards. Novels include Jasmine Skies, Tender Earth, Red Leaves and Kite Spirit. For Barrington Stoke she has written Worry Angels, Brace Mouth False Teeth, Car Wash Wish and Zebra Crossing Soul Song. She has contributed stories and poetry to a number of anthologies with a human rights focus and is currently under commission to Orion books for two novels the first of which, Where The River Runs Gold, is to be published in July 2019.

Next up we are thrilled to have an original, heartwrenching contribution from Jasmine Richards (http://www.jasminerichards.com) , an author of fifteen books for children from Harper Collins. She often finds herself writing about missing fathers or fathers missing out. When Jasmine is not writing she is collaborating with writers and illustrators to create inclusive fiction for publishers through her production company Storymix (http://www.storymix.co.uk) . So, if you are a creative from an underrepresented background, who is interested in making great books for all children, get in touch with Jasmine.

Louie Stowell (https://twitter.com/Louiestowell) , featured on page 3, started her career writing carefully-researched children’s books about space, Ancient Egypt, politics and science but eventually lapsed into just making stuff up. She likes writing about dragons, wizards, vampires, fairies, monsters and parallel worlds. Louie lives in London with her wife Karen, her dog Buffy and a creepy puppet that is probably cursed. Her first novel, The Dragon in the Library (https://nosycrow.com/product/the-dragon-in-the-library/) , is out on June 6th with Nosy Crow. Get hold of it here (https://nosycrow.com/product/the-dragon-in-the-library/) .

And to complete the June launch, we present the wonderful, inspiring Juliette Saumande (http://juliettesaumande.blogspot.com/) , a French writer and translator living in Ireland. Juliet spends most of her time writing, reading, reviewing and recommending children’s books to one and all. Her most recent title is My Little Album of Dublin, illustrated by Tarsila Krüse and published by The O’Brien Press. When she gets a minute, she blogs (http://juliettesaumande.blogspot.ie) about all the fun things children’s books inspire her to try on her and other people’s kids (in an arty way!).

So dear writers, do not mourn – there is life after life, in words we remember and words we have yet to imagine. Send us yours before the 15th May.

The image is the starting point, the text is up to you.

Love,

Preti, Kristen, Lucie, Ritika and Luke.

Connect:

@visual_verse (https://twitter.com/visual_verse)
@craig_carry (https://twitter.com/craig_carry)
@SitaBrahmachari (https://twitter.com/SitaBrahmachari)
@ (https://twitter.com/JRichardsAuthor) JRichardsAuthor (https://twitter.com/JRichardsAuthor)
@Louiestowell (https://twitter.com/Louiestowell)

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