Volume 08, Chapter 09 | July 2021

Image by María Victoria Rodriguez

Home


Dear writers, readers and friends,

Here in the Northern Hemisphere, we are able to socialise again. The sun is shining and the air is a-buzz with energy. It is particularly enlivening to feel a sense of community once more and to be part of a place. Culture, food and the spirit of people can give us so much. That’s why this month’s image felt just right.

María Victoria Rodriguez (https://victoriarodriguez.com.ar/) , an Argentinian artist and animator living in Berlin, created this artwork for a small artisan food business in Shropshire, UK, called Pueblo. They sell handmade foods from South America and bring a taste for empanadas to their local British community. It’s these small, independent initiatives that bind us and keep the spirit alive.

A small side note before we announce our three lead writers. We have opened up our internships again and are looking for two or three new team members, to help us edit and publish pieces each month. We invite applications from anyone, anywhere, with any level of experience. We welcome entry level applicants and those who are looking for a career change or just some “behind the scenes” publishing experience. You can apply here (https://docs.google.com/forms/d/e/1FAIpQLSfjCuLjjso6W0MU6fQvvv8MpA2YZ91vWotga7tt59EUNjDDcg/viewform) until 9th July.

Now, to our lead writers for the July issue of Visual Verse. These three have been on our radar for some time, as each of them has contributed some excellent writing to our publication.

Our first piece is by Carl Burkitt (https://carltellstales.com/) , who likes to tell tales. He tells long tales, short tales, silly tales and sad tales. He likes to tell them online, behind a mic, in books, in schools or on the sofa with his young family in Manchester. His debut collection What Does A Baby Think It Is? And Other Questions (https://carlburkitt.bigcartel.com/product/what-does-a-baby-think-it-is) was published in 2020 by Enthusiastic Press.

Page two features Megha Sood (https://meghasworldsite.wordpress.com/) , an award-winning poet, editor, author and blogger from New Jersey, USA. She is the recipient of the 2021 Poet Fellowship from MVICW (Martha’s Vineyard Institute of Creating Writing) and a National Level Winner for the 2020 Spring Mahogany Prize. Sood is an Associate Poetry Editor for literary journals Mookychick (UK) and Life and Legends (USA), and is Literary Partner with Life in Quarantine, Stanford University. She has authored a chapbook My Body is Not an Apology (Finishing Line Press, 2021) and a full-length work My Body Lives Like a Threat (FlowerSongPress, 2021).

Our third piece comes from New York City resident Kerfe Roig, who enjoys transforming words and images into something new. Follow her explorations on her blogs methodtwomadness.wordpress.com/ (which she does with her friend Nina) and kblog.blog/. You can read more of her work on her website (http://kerferoig.com/) .

And so, dear writers, the blank page of possibility awaits you. The image is the starting point, the text is up to you.
Kristen
with the VV team, Preti, Lucie and Isabel

Follow us

@visual_verse (https://twitter.com/visual_verse)
@mvictoria.rodriguez (https://www.instagram.com/mvictoria.rodriguez/)
@CarlBurkitt (https://twitter.com/carlburkitt?lang=en)
@meghasood16 (https://twitter.com/meghasood16?lang=en)

Volume 06, Chapter 11 | September 2019

Image by Joelle Chmiel

Dear writers, readers and friends,

Welcome to September, and as the seasons turn we offer you a fitting visual by Joelle Chmiel, who captures both a sense of stillness and of bustle at a transitional time of year.

This month’s issue is guest-curated by our own Luke Larkin, who also edits Unstamatic (https://www.unstamatic.info/) , an online magazine of small prose and poetry. The artist and lead writers for this month are all tapped from Unstamatic’s family of contributors.

Joelle Chmiel (https://www.artlimited.net/m79d5144a%20or%20https:/lensculture.com/joelle-chmiel) was born in 1982 in Zürich, Switzerland, where she graduated medical and dental school, before working as a physician in maxillofacial surgery and dentistry. Since 2018, she dedicates herself full-time to photography and was winner of the StreetProjections 2018 contest from PhotoWerkBerlin, and second-place winner of Monochrome Awards 2018.

Carol McMahon’s bittersweet poem kicks off this month’s writing. Carol is a teacher whose work has been published in various journals (The Wild Word (https://thewildword.com/poetry-carol-mcmahon/) , Painted Bride Quarterly (http://pbqmag.org/carol-mcmahon-profit-margin/) , Mom Egg Review, Stone Canoe, Poet Lore) and has a chapbook, On Any Given Day, published by FootHills Press (2006). McMahon received an MFA from the Rainier Writing Workshop and when she is not with 11-year-olds spends her time either running or rowing.

Page two hosts Jen Schneider, who is an educator, attorney, and writer. Her work appears in The Coil, The Write Launch, Anti-Heroin Chic, The Popular Culture Studies Journal, Unstamatic, otoliths, Zingara Poetry Review, 42 Stories Anthology (forthcoming), Voices on the Move (forthcoming), One Sentence Stories, and other literary and scholarly journals.

Michelle Brooks’ poetry appears on page three. Michelle has published a collection of poetry, Make Yourself Small, (Backwaters Press), and a novella, Dead Girl, Live Boy, (Storylandia Press). Her poetry collection, Pretty in A Hard Way, will be published by Finishing Line Press in September 2019. Her work has appeared in the Iowa Review, Alaska Quarterly Review, Threepenny Review, and elsewhere. A native Texan, she has spent much of her adult life in Detroit, her favorite city.

And rounding us out, Scott Russell Duncan, a.k.a. Scott Duncan-Fernandez. Scott recently completed The Ramona Diary of SRD, a memoir of growing up Native/Chicano-Anglo and a fantastical tour reclaiming the myths of Spanish California. Scott’s fiction involves the mythic, the surreal, the abstract, in other words, the weird. Scott received his MFA from Mills College in Oakland, California where he now lives and writes. He is an assistant editor at Somos en escrito. In 2016 he won San Francisco Litquake’s Short Story Contest. His piece “Mexican American Psycho is in Your Dreams” won first place in the 2019 Solstice Literary Magazine Annual Literary Contest. See more about his work and publications on Scott’s website (http://scottrussellduncan.com) .

So, take a peek through these windows and tell us what you find. You know the rules: 50-500 words, one hour. Subs close on 15 September. The image is the starting point, the text is up to you.

Luke, Kristen, Lucie and Preti

Connect with us
@visual_verse (https://thecurvedhouse.us3.list-manage.com/track/click?u=34f4a503c2c926849e17dcf6f&id=02acdc9fd3&e=c32c18dbf0)
@unstamaticmag (https://twitter.com/unstamaticmag)

PS. When you’ve finished your Visual Verse submission for this month, head over to Unstamatic to read more great writing, enjoy more great art and submit your work. https://www.unstamatic.info/

Home


mailto:visualverse@thecurvedhouse.com
https://www.facebook.com/visualverseanthology